“…The second part consists of the following studies: "The descensus ad inferos as nuclear scene of an inexistent Orthodox resurrection play", "Structures of reception of Early Modern Greek drama", "Religious baroque theatre during the processions of Corpus Christi on the Cyclades in the 17th century", "Religious festivals of the Baroque era on the islands of the Archipelagus under the Turkish rule (Capucins, Chios 1673)", "Greek editions in Vienna from Gluck to Kotzebue. …”