Enlace del recurso

Tabla de Contenidos: “…Subversion und Selbstermächtigung in Charlotte Roches Feuchtgebiete (2008) / Julia Reichenpfader -- Körperlyrik. …”

Tabla de Contenidos: “…Amstrong -- Dar las cosas : de la (im)posibilidad de la naturaleza muerta / Irene Artigas Albarelli -- El festín del famélico : una aventura gastronómica a través de la literatura inglesa / Charlotte Broad -- Memoria e identidad en la literatura afroestadunidense : de las narraciones de esclavos a las novelas de esclavitud / Julia Constantino Reyes -- Una identidad en ciernes : las pesadillas del sueño americano / Nattie Golubov…”

Tabla de Contenidos: “…Chavkin -- Developing professional judgment : law school innovations in response to the Carnegie Foundation's critique of American legal education / Clark D. Cunningham & Charlotte Alexander -- A South African response to ethics in legal education / Helen Kruuse -- Can the bioethical principles provide simple signposts for ethical legal practice : some thoughts on using the bioethical principles as broad guidelines for ethical conduct in developing commonwealth countries in the context of the English solicitors' Code of Conduct and other ethical rules / David McQuoid-Mason -- Towards ethical literacy by enhancing reflexivity in law students / Lynda Crowley-Cyr -- Learning in justice : ethical education in an extra-curricular law clinic / Donald Nicolson -- Reading reported cases through a legal ethics lens / Linda Haller -- Coming to terms with legal ethics assessment / Justine Rogers…”

Tabla de Contenidos: “…: Comics, Professional Identity, Affection, Nostalgia and Embarrassment / Mel Gibson -- Looking for Queerness / Martha Newbigging -- Harrowing Rites of Passage : Refugee Girlhood in the Wake of Syrian Migrant Crisis / María Porras Sánchez -- Comics, Caregiving and Crip Time / JoAnn Purcell -- Discussing Gender in a Communist Comics Magazine : Corinne et Jeannot, 1970 / Sylvain Lesage -- The Ambivalence of Girlhood and Motherhood in A Girl-and-Her-Dog Comics Series : Margot & Oscar Pluche, Sac à Puces / Benoît Glaude -- Modernity, Aesthetics and the Active Female Body in Mirabelle (1960-1967) / Joan Ormrod -- The Demon Girl of Malayali Comic Strips : The (Im)possibilities of Comic Imagination / Aswathy Senan -- Reading Girl- and Womanhood in the Classic Flemish Family Comics Series Jommeke : A Conversation with Katrien De Graeve and Sara De Vuyst / Michel De Dobbeleer -- Death and the Maiden : Some Notes Concerning Charlotte Salomon's Leben? oder Theater? / Sébastien Conard -- Developing a Style of Her Own : Mophead by Selina Tusitala Marsh (2019) / Marine Berthiot -- Conclusion / Eva Van de Wiele -- Afterword: Picturing Girlhood / Julia Round…”

Tabla de Contenidos: “…Tove, 17 years oldSammie, 12 years old; Jennifer, 17 years old; Robert, 20 years old; Norah, 10 years old; Kalle, 1 year old; Sara, 20 years old; Marcus, 16 years old; Charlotte, 16 years old…”

Tabla de Contenidos: “…Schanke and Kim Marra -- "My noble Spartacus": Edwin Forrest and masculinity on the nineteenth-century stage / Ginger Strand -- "Such Romeo as we had never ventured to hope for": Charlotte Cushman / Denise A. Walen -- Bohemian on horseback: Adah Isaacs Menken / Noreen Barnes-McClain -- Rebels of their sex: Nance O'Neil and Lizzie Borden / Jennifer Jones -- A lesbian marriage of cultural consequence: Elisabeth Marbury and Elsie de Wolfe, 1886-1933 / Kim Marra -- Alla Nazimova: "the witch of makeup" / Robert A. …”

Tabla de Contenidos: “…Teddy Darvas (editor) -- Hugo Luczyc-Wyhowski (production designer) -- Stephen Warbeck (composer) -- Charlotte Walter (costume designer) -- Lisa Janowski (first assistant director) -- Salvatore Carino (production auditor) -- Tom Nelson (production sound mixer) -- Angela Allen (script supervisor) -- Peter Cavaciuti (camera operator/steadicam) -- Carolyn Scott (set decorator) -- Stephen Barker (post-production supervisor) -- Chris Morse (second assistant director) -- Mark Coulier (prosthetic makeup designer) -- Jane Clark (storyboard artist) -- Paul Wilson (visual effects/miniature photography) -- Susan Jacobson (clapper loader) -- Dennis Fraser (grip)--John Gutierrez (boom operator) -- Larry Prinz (gaffer) -- Helen Blackshaw (costume assistant) -- Kenneth Dodd (best boy electric) -- Peter Hutchinson (special effects supervisor) -- Chris Lyons (special effects dental technician) -- Jemma Scott (contact lens technician)-- James Moore (mouth/beak replacement coordinator) -- James Cosper (location scout) -- Will Scheck (greensperson) -- Meredith Tucker (casting associate) -- Diane Greaves (foley artist) -- Richard Bradshaw (stunt performer) -- Karen Fayerty (unit nurse) -- Jim Clubb (animal supplier/trainer) -- Beccy Tiller (location caterer)…”