Tabla de Contenidos: “…Gallen ; Proap : Parque Lineal de Ourém ; PWP Landscape Architecture : Kiel Triangle Plaza, Plaza Saitama ; Roderschall Landschaftarchitekten : Parque MFO ; Ravetllat & Ribas Arquitectes : Passeig Garcia Fària ; RCR Aranda Pigem Vilalta Arquitectes : Parque de Pedra Tosca ; Rosa Grena Kliass Arquitetura Paisagística : Parque da Juventude ; Rush & Wright Associates : Grand Plaza, The Centre for Ideas ; Santa-Rita Arquitectos : Parque urbano de Beja ; Scapelab : Renovación de la plaza Cufarjev ; SLA : Jardín Charlotte ; SMC Alsop : Reurbanización de Clarke Quay ; Stoa Architecture : Remodelación del Rauba Capeu ; Studio Lazzaretto : Plaza Vittorio Veneto ; Taylor Cullity Lethlean : Galeria Forest ; Tod Saunders - Saunders Architecture : Mirador Aurland ; Tommie Wilhelmsen - Sivilarkitekt MNAL : Mirador Aurland ; Toyo Ito & Architects Associates : Fira Montjuïc 2 en Barcelona ; Turenscape : Plaza Dujiangyan, Parque Zhongshan Shipyard ; Urbanus Architecture & Design : Diwang Park B, Sungang Central Plaza ; Verzone Woods Architectes : Parques y jardines Las Margas ; Vetsch Nipkow Partner Landschaftsarchitekten : Katharina Sulzer Platz ; Vladimir Djurovic Landscape Architecture : Jardín Square Four ; West 8 : Parque One-North ; Zade & Vilà Associats : Bosque de la vida…”

Tabla de Contenidos: “…Villa Dall'Ava / Rem Koolhaas. Casa Charlotte / Günter Behnisch. Casa Truss Wall / Eisaku Ushida y Kathryn Findlay. …”

Tabla de Contenidos: “…Sanín Cano, Letras colombianas -- Charlotte Buhler, El curso de la vida humana como problema psicológico -- Florián Znaniecki, Papel social del intelectual -- Carta al director -- El HP contesta -- ¿Realismo? …”

“… Easy-to-understand techniques for getting the most from your Canon EOS 5D Mark II DSLR At nearly 3,000 for the body only, the Canon 5D Mark II DSLR is for amateurs and semi-professionals who are serious about taking great photos-and this go-anywhere guide shares insight for doing just that. Authors Charlotte Lowrie and Brian McLernon walk you step by step through each function on the Canon EOS 5D Mark II, going into more depth and scope than the standard manual that accompanies the camera.Portable and easy to understand, the book shows you how to get the exact show you want, when…”

Tabla de Contenidos: “…Dance experience, dance of darkness, global Butoh: the evolution of a new dance form / Bruce Baird and Rosemary Candelario -- On the eve of the birth of Ankoku Butoh: postwar Japanese modern dance and Ohno Kazuo / Kuniyoshi Kazuko ; translated by Bruce Baird -- From Vodou to Butoh: Hijikata Tatsumi, Katherine Dunham, and the Trans-Pacific remaking of blackness / Arimitsu Michio -- Contemporary nightmare: an avant-garde dance group dances forbidden colors / Mishima Yukio ; translated by Bruce Baird -- The relationship between avant-garde dance and things / Mishima Yukio ; translated by Bruce Baird -- Rethinking the "indigeneity" of Hijikata Tatsumi in the 1960s as a photographic negative image of Japanese dance history / Inata Naomi ; translated by Bruce Baird -- À la maison de Shibusawa: the Draconian aspects of Hijikata's Butoh / Robert Ono -- Hijikata Tatsumi: burnt offering dancer / Shibusawa Tatsuhiko ; translated by Robert Ono-- A certain kind of energy: dancing modern anxiety / Shibusawa Tatsuhiko ; translated by Robert Ono -- Butoh and taboo / Gunji Masakatsu ; translated by Jane Traynor -- "Inserting the hip/s" and "Lowering the hip/s" / Takechi Tetsuji and Tomioka Taeko ; translated by Maki Isaka, with a contextual essay -- The problematics of Butoh and the essentialist trap / William Marotti -- Returns and repetitions: Hijikata Tatsumi's choreographic practice as a critical gesture of temporalization / Sara Jansen -- Kazuo Ohno: biography and methods of movement creation / Lucia Schwellinger ; translated by Charlotte Marr and Rosemary Candelario -- What we know and what we want to know: a roundtable on Butoh and Neuer Tanz / Kate Elswit, with Miyagawa Mariko, Eiko Otake, and Tara Rodman -- Oikawa Hironobu: bringing Decroux and Artaud into Japanese dance practices / Yoshida Yukihiko ; translated by Bruce Baird -- Foundations and filiations: the legacy of Artaud in Hijikata Tatsumi / Samantha Marenzi-- Butoh's remediation and the anarchic transforming politics of the body in the 1960s / Peter Eckersall -- Bodies at the threshold of the visible: photographic Butoh / Jonathan W. …”

Tabla de Contenidos: “…Discussione sulla lezione Ristow -- Unica enluminés dans le royaume franc durant les dernières décennies du VIIIe siècle : un nouveau langage visuel / Charlotte Denoël, Isabelle Marchesin…”

Tabla de Contenidos: “…Laverman Integrated Assessment of Pharmacological and Nutritional Cardiovascular Risk Management: Blood Pressure Control in the DIAbetes and LifEstyle Cohort Twente (DIALECT) doi: 10.3390/nu9070709 -- Charlotte E. Pelgrim, Bart A. A. Franx, Jessica Snabel, Robert Kleemann, Ilse A. …”

Tabla de Contenidos: “…-- 2.7.1 I mondi finzionali nel corpo-galassia di Michèle Roberts: The Wild Girl, Daughters of the House, Fair Exchange, The Mistressclass -- 2.7.2 Tratti simbolici e singolari dei personaggi delle biofiction: trasversali 'verità psichiche' nella riscrittura al quadrato della biografia di Charlotte Brontë -- 2.7.3 La texture robertsiana, «flesh melted to liquid gold» -- 2.7.4 (Attrezzi) -- PARTE TERZA QUATTRO SOGGETTI DONNA NEL CIRCOLO DI SHELLEY R IL BRUSIO DEI DISCORSI SOTT AL FOGLIO DELLA STORIA -- 3.0 Shelley's Wives and Lovers: Their Own Story -- 3.1 Autenticare Mab's Daughters: il double framing -- 3.1.1 Il 'sesto taccuino' -- 3.2 Harriet. …”

Tabla de Contenidos: “…Austell, Cornwall, England, 1996-2001 / Nicholas Grimshaw - Steel House, Mooball, New South Wales, Australia, 1996-97 / Grose Bradley - Contemporary Arts Center, Cincinnati, Ohio, United States, 1998-2001 / Zaha Hadid - JR Kyoto Railway Station, Kyoto, Japan, 1991-97 / Hiroshi Hara - Miyagi Prefectural Library, Sendai, Miyagi, Japan, 1993-98 / Hiroshi Hara - Niigata Performing Arts Center, Niigata City, Niigata, Japan, 1993-98 / Itsuko Hasegawa - Studio Remy Zaugg, Mulhouse, France, 1995-96 / Herzog & de Meuron - Dominus Winery, Yountville, Napa Valley, California, United States, 1995-98 / Herzog & de Meuron - Tate Gallery of Modern Art, London, England, 1995-99 / Herzog & de Meuron - Pharmacy Restaurant, London, England, 1997-98 / Damien Hirst and Mike Rundell - Kiasma Museum of Contemporary Art, Helsinki, Finland, 1993-98 / Steven Holl - Haishi 'Mirage City', Zhuhai City, Hengqin Island, China, 1996-97 / Arata Isozaki - Nara Centennial Hall, Nara, Japan, 1992-98 / Arata Isozaki - Shizuoka Convention and Arts Center 'Granship', Shizuoka, Japan, 1993-98 / Arata Isozaki - Odate Jukai Dome Park, Odate, Japan, 1995-97 / Toyo Ito - Nagaoka Lyric Hall, Nagaoka, Niigata, Japan, 1993-96 / Toyo Ito - Ota-ku resort complex, Shouken District, Nagano, Japan, 1995-98 / Toyo Ito - Type/Variant house, Northern Wisconsin, United States, 1994-97 / Vincent James - House, Higashi-Osaka, Osaka, Japan, 1995-97 / Waro Kishi - Rodin Pavilion, Seoul, South Korea, 1995-97 / Kohn Pedersen Fox - Educatorium, University of Utrecht, The Netherlands, 1995-97 / Rem Koolhaas - Noh Stage in the Forest, Toyama City, Toyama, Japan, 1996 / Kengo Kuma - Felix Nussbaum Museum, Osnabruck, Germany, 1996-98 / Daniel Libeskind - Jewish Museum, Berlin, Germany, 1989-99 / Daniel Libeskind - Kaze-no-Oka crematorium, Nakatsu, Oita, Japan, 1995-97 / Fumihiko Maki - Makuhari Messe phase II, Nakase, Chiba, Japan, 1996-97 / Fumihiko Maki - Central Library, Delft Technical University, Delft, The Netherlands, 1993-98 / Mecanoo - Church of the Year 2000, Rome, Italy, 1996-2000 / Richard Meier - Issey Miyake Pleats Please Boutique, New York, New York, United States, 1998 / Toshiko Mori and Gwenael Nicolas - Private residence, Mount Wilson, New South Wales, Australia, 1989-94 / Glenn Murcutt - Villa VPRO, Hilversum, The Netherlands, 1993-97 / MVRDV - Stade de France, Saint-Denis, France, 1994-97 / MZRC - Lucerne Culture andh Congress Center, Lucerne, Switzerland, 1992-99 / Jean Nouvel - Water Pavilion H2O Expo, Neeltje Jans, The Netherlands, 1994-97 / NOX - V2_Media Lab, Rotterdam, The Netherlands, 1998 / NOX - Jean-Marie Tjibaou Cultural Center, Noumea, New Caledonia, 1992-98 / Renzo Piano - Debis Tower, Berlin, Germany, 1993-99 / Renzo Piano - Law Courts, Bordeaux, France, 1993-98 / Richard Rogers - Baumschulenweg Crematorium, Berlin, Germany, 1992-98 / Axel Schultes and Charlotte Frank - ZKM Center for Art and Media Technology, Karlsruhe, Germany, 1993-97 / Schweger+Partner - Museum of Islamic Arts, Doha, Qatar, 1997 (project) / SITE - Church and Parish Center, Marco de Canavezes, Portugal, 1990-96 / Alvaro Siza - Vieira de Castro House, Famalicao, Portugal, 1984-98 / Alvaro Siza - Portuguese Pavilion Expo '98, Lisbon, Portugal, 1996-98 / Alvaro Siza - Experimental housing, Freiburg, Germany, 1996-97 / Thomas Spiegelhalter - National School of Decorative Arts, Paris, France, 1995-98 / Philippe Starck and Luc Arsene-Henry - Shoji Ueda Museum of Photography, Kishimoto, Tottori, Japan, 1993-95 / Shin Takamatsu - Meteor Plaza, Mihonoseki, Shimane, Japan, 1994-95 / Shin Takamatsu - Worship Hall Seirei, Kawanishi, Hyogo, Japan, 1996-98 / Shin Takamatsu - Televisa Services Building, Mexico City, Mexico, 1993-95 / Ten Arquitectos - Mura-no Terrace, Ibi-Gun, Gifu, Japan, 1994-95 / Makoto Sei Watanabe - K-Museum, Tokyo, Japan, 1995-96 / Makoto Sei Watanabe - National Diet Building, New Capital, Japan, 1996 (project) / Makoto Sei Watanabe - New York City House, New York, New York, United States, 1995-97 / Williams and Tsien - Gana Art Center, Seoul, South Korea, 1996-98 / Jean-Michel Wilmotte - Guthrie Pavilion, Shah Alam, Selangor, Malaysia, 1995-98 / Ken Yeang - Nagoya Expo 2005 Tower, Seto, Nagoya, Japan, 1997 (project) - Prospecta '92 Toyama Observatory Tower, Kosugi, Toyama, Japan, 1990-92 / Shoei Yoh - Glass station, Oguni, Kumamoto, Japan, 1991-93 / Shoei Yoh - Kanada Children Training House, Kanada, Fukuoka, Japan, 1992-94 / Shoei Yoh…”

Tabla de Contenidos: “…Act V: Reviewing and Preparing for Future Decisions -- Section 3.3 Decision Impairments: Pitfalls, Syndromes, and Plagues in Act IV -- Plague: Information and Disinformation Overload -- Pitfall: Overanalysis -- Pitfall: Oversimplifi cation -- Syndrome: Deterministic Thinking -- Syndrome: Overdependence on Industry Knowledge -- Pitfall: Tunnel Thinking -- Syndrome: Overconfi dent Fool Syndrome -- Pitfall: Unpiloted Big Bang Launches -- Notes -- 4 Analytics-Driven Culture -- Left Brain-Right Brain Cultural Clash-Enter the Scientific Method -- Denying the Serendipity of Statistics -- Denying the Source-Plagiarism -- Section 4.1 The Fertile Crescent: Striking It Rich -- Catalysts and Change -- Two-Trick Pony -- Section 4.2 The Blend: Mixing Industry Knowledge and Advanced Analytics -- Cultural Imbalance -- The Gemini Myths -- Notes -- 5 Organization: The People Side of the Equation -- Section 5.1 Analytics Resources -- Business Quants-Denizens of the Deep -- Analytics Power Users -- Business Analysts -- Knowledge Workers -- Section 5.2 Structure of Analytics Practitioners -- Integration Synergies -- Technical Connectivity -- Specialization -- Teamwork -- Technical Compatibility -- Section 5.3 Building Advanced Analytics Leadership -- Leadership and Management Skills -- Business Savvy -- Communication Skills -- Training and Experience -- On-Topic Leadership by Charlotte Sibley -- Expert Leaders (ELs)-Corporate Trump Cards -- The Blood-Brain Barrier -- Advantages of On-Topic Business Analytics Leaders -- Management Types by David Young -- Section 5.4 Location, Location, Location of Analytics Practitioners -- Outsourcing Analytics -- Dispersed or Local Groups -- Central or Enterprise-Wide Groups32 -- Hybrid: Outside + Local + Enterprise-Wide -- Notes -- 6 Developing Competitive Advantage -- Approach for Identifying Gaps in Analytics -- Strategy…”

Tabla de Contenidos: “…Introduction, p.7; Aino Aalto, p.14; Rand Abdul Jabbar, p.15; Susi Aczel, p.16; Lindsey Adelman, p.17; Lani Adeoye, p.18; Ruth Adler Schnee, p.19; Anni Albers, p.20; Kawther Alsaffar, p.21; Jeannette Altherr, p.22; Karin Schou Andersen, p.23; Joyce Anderson, p.24; Carina Seth Andersson, p.25; Wendy Andreu, p.26; Antonia Astori, p.37; Jane Atfield, p.38; Gae Aulenti, p.29; Tamoko Azumi, p.30; Cleo Baldon, p.31; Lucia Bartolini, p.32; Stephanie Beamer, Crystal Ellis & Hillary Petrie, p.33; Dorothee Becker, p.34; Liisi Beckmann, p.35; Martine Bedin, p.36; Vivian Beer, p.37; Mercedes “Ched” Berenguer-Topacio, p. 38; Otti Berger, p.39; Susi Berger, p.40; Laelie Berzon & Lisa Vincitorio, p. 42; Nikita Bhate, p.43; Ilaria Bianchi, p. 44; Ayse Birsel, p.45; Aída Boal, p.47; Lina Bo Bardi, p.48; Cini Boeri, p.50; Hedwing Bollhagen, p.51; Marianne Brandt, p.52; Bec Brittain, p.53; Gegia Bronzini, p.54; Barbara Brown, p.55; Maria Bruun , p.56; Rachel Bullock & Molly Purnell, p.57; Marie Burgos, p.58; Louise Campbell, p.58; Gloria Caranica, p.60; Etel Carmona, p.61; Maddalena Casadei, p. 62; Anna Castelli Ferrieri, p.63; Carol Catalano, p.64 Jungyou Choi, p.65; Maria Chomentowska, p.66; Karen Clemmensen, p.67; Muriel Coleman, p.68; Kim Colin, p.69; Janete Costa, p.70; Matali Crasset, p.71; Ilse Crawford, p.72; Gabriella Crespi, p. 74; Raffaella Crespi, p.75; Veronica Dagnert & Helena Jonasson, p.76; Lucienne Day, p.77; Nada Debs, p.78; Qiyun Deng, p.79; Marie Dessuant, p.80; Freda Diamond, p.82; Friedl Dicker-Brandeis, p.84; Jane Dillon, p.85; Aïssa Dione, p.86; Nanna Ditzel, p.87; Helen Dryden, p.88; Helen Hughes Dulany, p.89; Nathalie Du Pasquier, p.90; Ray Eames, p.92; Kiki Van Eijk, p.94; Yeşim Eröktem, p. 95; Lisa Ertel, p.96; Felicia Ferrone , p.98; Andrea Flores & Lucía Soto, p.99; Marisa Forlani, p.100; Monica Förster, p.101; Carol Gay, p.102; Marion Geller, p.103; Ruth Hidegard Geyer-Raack, p.104; Emiliana Gonzalez & Jessie Young, p.105; Anne Krohn Graham, p.106; Johanna Grawunder, p.107; Eileen Gray, p.108; Rachel Griffin, p.110; Greta Grossman, p.111; Zaha Hadid , p.112; Virgina Hamill, p.114; Ineke Hans, p.115; Eszter Haraszty, p.116; Trix Haussmann, p. 117; Mette Hay, p. 118; Edith Heath, p. 119; Franca Helg, p. 120; Margarete Heymann-Löbenstein, p. 121; Franziska Hosken, p. 122, Rossana Hu, p. 123; Marialaura Rossiello Irvine, p. 124; Shinobu Ito, p. 125; Sophie Lou Jacobsen & Sarita Posada, p. 126; Grete Jalk, p. 127; Nata Janberidze & Keti Toloraia, p. 128; Ania Jaworska, p. 129; Hilda Jesse-Schmid, p. 130; Lisa Johansson-Pape, p. 131; Hella Jongerius, p. 132; Merve Kahraman, p. 134; Ilonka Karasz, p.135; Anna Karlin, p. 136; Bodil Kjær, p.137; Florence Knoll, p.138; Belle Kohan, p.139; Lucie Koldová, p.140; Ana Kraš, p.141; Teresa Kruszewska, p.142; Agata Kulik-Pomorska, p.143; Sofia Lagerkvist & Anna Lindgren, p.144; Claude Lalanne, p.145; Elisabeth Eyre de Lanux, p.146; Francesca Fanzavecchia, p.148; Estelle Laverne, p.149; Monling Lee, p.150; Olga Lee, p.151; Geke Lensink, p.152; Rosie Li, p.153; Francesca Lindh, p.154; Aljoud Lootah, p.155; Althea McNish, p.156; India Mahdavi, p.157; Rianne Makkink, p.158; Cecile Manz, p.159; Sabine Marcelis, p.160; Grethe Meyer, p.162; Hikaru Mori, p.163; Renate Müller, p.164; Ignacia Murtagh, p.165; Mira Nakashima, p.166; Paola Navone, p.167; Greta von Nessen, p.168; Stephanie Ng, p.169; Anna Maria Niemeyer, p.170; Libuše Niklová, p.172; Dina Nur Satti, p.173; Gunnel Nyman, p.174; Moyo Ogunseinde, p.175; Jay Sae Jung Oh, p.176; Ann Pamintuan, p.177; Luisa Parisi, p.178; Tamara Pérez, p.179; Maria Pergay, p.180; Charlotte Perriand, p.181; Clara Porset, p.182; Andrée Putman, p.183; Ingegerd Råman, p.184; Mary Ratcliffe, p.185; Samira Rathod, p.186; Noémi Raymond, p.187; Lilly Reich, p.188; Margaretha Reichardt, p.189; Sylvia Reid, p.190; Coco Reynolds, p. 191; Lucie Rie, p.192; Estefanía de Ros, p.193; Pipsan Saarinen-Swanson, p.194; Latifa Saeed, p.195; Mentalla Said & Jumana Taha, p.196; Clauda Moreira Salles, p.197; Maria Sanchez, p.198; Cynthia Sargent, p.199; Afra Scarpa, p.200; Bertha Schaefer, p.201; Zahara Schatz, p.202; Margarete Schütte-Lihotzky, p.203; Emma Schweinberger, p.204; Denise Scott Brown, p.205; Kazuyo Sejima, p.206; Inga Sempé, p.208; Mia Senekal, p.209; Mimi Shodeinde, p.210; Alma Siedhoff-Buscher, p.211; Jutta Sika, p.212; Trudi Sitterle, p.213; Alison Smithson, p.214; Sylvia Stave, p.215; Nanny Still, p.216; Gunta Stölzl, p.217; Marianne Straub, p.218; Marianne Strengell, p.219; Saša Štucin, p.220; Claudia Suarez Ahedo, p.221, Hiroko Takeda, p.222; Reiko Tanabe, p.223; Jacqueline Terpins, p.224; Faye Toogood, p.226; Helena Tynell, p.227; Patricia Urquiola, p.228; Mpho Vackier, p.229; Garance Vallée, p.230; Ionna Vautrin, p.131; Lella Vignelli, p.232; Nanda Vigo, p.233; Hisako Watanabe, p.234; Chen-Yen Wei, p.235; Donna Wilson, p.236; Esther Wood, p.237; Sohyun Yun, p.238; Utharaa Zacharias, p.239; Eva Zeisel, p.240; Sandrine Ébène de Zorzi, p.241; Timeline, p.244; Endnotes, p.256; Index, p.258…”

Tabla de Contenidos: “…Silvia Orlandi, Department of Information Engineering, Università degli Studi di Firenze, Firenze, Italy - Introduction: Philip Sanford Zeskind, Director, Neurodevelopmental Research Levine Children's Hospital, Carolinas Medical Center, Charlotte, North Carolina, U.S.A. -- P. S. Zeskind, DETECTION OF SUBCLINICAL NEUROBEHAVIORAL INSULT USING SPECTRUM ANALYSIS OF NEWBORN INFANT CRYING -- A. …”

Tabla de Contenidos: “…On the threshold of a new age : expanding horizons as the broader context of Scriptural interpretation / Charlotte Methuen -- 28. The development of the Reformation legacy : hermeneutics and interpretation of the Sacred Scripture in the age of orthodoxy / Johann Anselm Steiger -- 29. …”