“…Del este : Chantal Akerman realiza un gran viaje por Europa del Este, Rusia, Polonia, Ucrania, filmando todo lo que le impresiona. …”
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“…Documental sobre la madre de la propia directora, Chantal Akerman, quien jamás sale de su apartamento de Bruselas. …”
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“…Este es el monólogo crudo y dulce de una mujer herida —la madre de Chantal Akerman, figura clave en la vida y la obra de la autora, quien salió viva de Auschwitz con quince años—. …”

Tabla de Contenidos: “…Memory Once Removed: indirect memory and transitive autobiography in Chantal Akerman's D'Est -- 2. Reframing the Jewish family -- 3. …”

Tabla de Contenidos: “…Memory Once Removed: indirect memory and transitive autobiography in Chantal Akerman's D'Est -- 2. Reframing the Jewish family -- 3. …”

Tabla de Contenidos: “…Lawrence's Seven pillars of wisdom and David Lean's Lawrence of Arabia / A la recherche d'une femme perdue : Proust through the lens of Chantal Akerman's La captive / Adaptations as an undecidable : fidelity and binarity from Bluestone to Derrida / Panel presentations and discussion : "The persistence of fidelity." …”

Tabla de Contenidos: “…Colvile -- Varda: The gleaner and the just / Sandy Flitterman-Lewis -- 'No woman would die lilke that': Stage beauty as corrective-counterpoint to Othello / Elizabeth Gruber -- Dis-abling the sadistic gaze and deaf prostitutes in Aleksei Balabanov's Of freaks and men and Valerii Todorovskii's Land of the deaf / Izabela Kalinowska -- Chantal Akerman's cinematic transgressions: transhistorical and transcultural transpositions, translingualism, and the transgendering of the cinematic gaze / Sharon Lubkemann Allen…”
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Tabla de Contenidos: “…Rewriting Proust : working with Chantal Akerman on La Captive : a dialogue / Eric de Kuyper and Annie van den Oever -- 13. …”

“…Drawing on a broad range of theoretical disciplines - and with case studies of directors such as Chantal Akerman, Agnes Varda, Claire Denis, Todd Haynes, Amos Gitai, Martin Ritt, John Ford, Ila Beka and Louise Lemoine - this book goes beyond the representational approach to the analysis of domestic space in cinema, in order to look at it as a dispositif. …”

“…The transformative power of "literariness" is made manifest in many media artworks by renowned artists such as Chantal Akerman, Mona Hatoum, Gary Hill, Jenny Holzer, William Kentridge, Nalini Malani, Bruce Nauman, Martha Rosler, and Lawrence Weiner. …”

“…Adoptem l’aparat crític de Gilles Deleuze com a base per establir un diàleg entre una obra fotogràfica en paper i les obres cinematogràfiques de quatre autors com Yasujiro Ozu, Roberto Rossellini, Michelangelo Antonioni i Chantal Akerman. Pretenem demostrar que, tot i les evidents diferències, el fotollibre es converteix en un mitjà ideal per establir ponts entre la imatge fixa i la imatge en moviment. …”
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“…Mais d'autres noms, qui évoquent pour nous d'autres territoires et d'autres choix formels, participent nécessairement aux interrogations suscitées par ce groupe : Chantal Akerman, John Cassavetes, Marguerite Duras, Jean Eustache, Pier Paolo Pasolini, Alain Resnais, Alain Robbe-Grillet, Jean Rouch. …”

“…The international authors in this collection address the history and aesthetics of screen media as spatial transposition, in a range of exemplary analyses that run from the landscapes of John Ford’s westerns to Chantal Akerman’s claustrophobic domestic spaces, from the conventions of the English country house film to Patrick Keiller’s Robinson roaming a changed country, and from the experiences of Covid pandemic confinement to those of un-homed van-dwellers in Chloe Zhao’s award-winning NOMADLAND…”

“…Films discussed include Helke Sander's Redupers, Julie Dash's Illusions, Patricia Rozema's I've Heard the Mermaids Singing, Yvonne Rainer's The Man Who Envied Women, Chantal Akerman's Je tu il elle, Ulrike Ottinger's Ticket of No Return, Anne Severson's Near the Big Chakra, Suzan Pitt's Asparagus, Germaine Dulac's The Smiling Madame Beudet, Agnes Varda's Cleo from 5 to 7, Chantal Akerman's Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles, Trin T. …”

“…Manafi discusses works by Chantal Akerman, Bruno Dumont, Pedro Costa, Gus Van Sant, Sohrab Shahid Saless, Abbas Kiarostami, Amir Naderi, Jafar Panahi, Carlos Reygadas and Andy Warhol to make a case for the ethics and aesthetics of incompleteness and performative failure --…”

“…È quanto si spera risulti dalla lettura di queste note, avvertendo comunque che esse, nel loro andamento non sistematico, si appoggeranno a oggetti e soggetti filmici in apparenza eterogenei, da Pasolini a Orson Welles, da Rossellini a Bela Tarr, da Raul Ruiz a Bressane, da Tsai Ming Liang a Cronenberg, da Ejzenštejn a Godard, da Dreyer a Scorsese, da Fellini a Gianikian e Ricci Lucchi, da Chantal Akerman a Twin Peaks 3, non senza qualche rapido excursus teatrale, tra Artaud e Carmelo Bene…”