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Materias:

Tabla de Contenidos: “…the pleasures of gender and sexuality in Dostana -- Haptic urban ethnoscapes and Bollywood popular cultures in the diaspora -- Performing Bollywood: Hindi cinema entertainment shows -- Conclusion…”
Enlace del recurso

“…"The field of Bollywood studies has remained predominantly critical, theoretical and historical in focus. …”
Enlace del recurso

Tabla de Contenidos: “…Chan -- Queer as desis / Rajinder Dudrah -- Bollywood gets funky / Richard Zumkhawala-Cook…”
Resumen

Tabla de Contenidos: “…Introduction : India and the new nonlinear media assemblage -- "First day, first show" : Bollywood cinemagoing and the new sensorium -- Contagious multiplicities and the nonlinear life of the new media -- "The best quality cinema viewing . . . everywhere. everytime…”

“…Bollywood Made in Spain (Pel·lícula cinematogràfica)…”

Sumario

Materias: “…Bollywood…”

Tabla de Contenidos: “…Benares : learning to read -- Allahabad : the Nehrus, the Gandhis, and democracy -- Ayodhya : the modernity of Hinduism -- Bollywood : India shining -- Kashmir : the cost of nationalism -- Pakistan : jihad globalized -- Afghanistan : communists, mullahs, and warlords -- Nepal : the "People's war" -- Tibet : a backward country…”
Acceso a las primeras páginas

Tabla de Contenidos: “…Train to Pakistan 2007: decolonization, partition, and identity in the transnational public sphere -- Re-gendering the nation: masculinity, romance, and secular citizenship -- A crisis made flesh: women, honor, and national coupledom -- We were never refugees: migrants and citizens in the postcolonial state -- War and peace: Pakistan and ethnic citizenship in Bollywood cinema -- Provincializing the nation: state violence and transnational belongings in the diaspora…”

Tabla de Contenidos: “…[iv]-[v]) -- CONTEMPORARY BOLLYWOOD AND HYPER-NATIONALISM(pp. 1-10) -- NARRATIVES OF CASTE IN MARATHI CINEMA(pp. 11-20) -- THE FILM MASALA OR THE HYBRIDIZATION OF GENRES AND CULTURES: THE EXAMPLE OF SHOLAY(pp. 21-28) -- FROM POPULAR NAIR TO HISTORIC NAIR: A STUDY OF SOCIAL, FAMILY AND CONJUGAL RELATIONSHIPS AMONG NAIR COMMUNITY REPRESENTED IN POPULAR MALAYALAM MOVIES(pp. 29-44) -- THE PHANTASMAGORICAL AND ETHNOGRAPHIC WORLD OF AMIT DUTTA(pp. 45-60) -- ITALIAN NEOREALIST CINEMA, A PRECURSOR TO INDIAN PARALLEL CINEMA(pp. 61-74) -- MUSLIM WOMANHOOD IN MALAYALAM CINEMA: THE POLITICS OF MOULDING "SECULAR" MUSLIM WOMEN(pp. 75-84) -- CINEMA OF DHARAMSHALA AND BEYOND: AN ETHNOGRAPHIC STUDY OF TIBETANS-IN-EXILE [FILMS OF RITU SARIN AND TENZING SONAM](pp. 85-100) -- JAYAN- THE AFFABLE HERO AND THE PROMISE OF THE CLASS STRUGGLE(pp. 101-106) -- NONSTEROTYPICAL REPRESENTATION OF WOMEN IN BOLLYWOOD: THE HIPPIE HEROINE(pp. 107-114) -- "CALM THINKING" OF "INDIA FEVER" IN CHINESE FILM MARKET(pp. 115-124) -- ANÁLISIS DE DILWALE DULHANIA LE JAYENGE(pp. 125-144). …”

Tabla de Contenidos: “…Diaspora Revisited / 9. Bollywood and the Indian diaspora / 10. Contested Equality / 11. …”

Tabla de Contenidos: “…Frontmatter -- Contents -- Introduction -- PART I Migration -- 1 Houses in Motion: The Reimagining of Time and Space as Anomalous in Representations of Mobility -- CHAPTER 2 Hybridity in Mission London -- CHAPTER 3 Just Like Us -- CHAPTER 4 Melodrama, Realism and Internal Migration -- PART II Dislocation -- 5 No Man's Land: Rafi Pitts' Soy Nero Tells Us What It Means to Be -- CHAPTER 6 Bollywood, Mobility and Partition Politics -- CHAPTER 7 Frames, Stereotypes and Authorial Politics -- CHAPTER 8 'I Am Not Here to Just Be En Vogue -- Postscript -- Index…”