“…Pat Garrett & Billy the Kid Políglota…”

Tabla de Contenidos: “…Disco 1: Fanfare for the common man -- Rodeo: four dance episodes -- Billy the kid -- El salón México -- Danzón cubano -- Quiet city -- Down a country lane ; Disco 2: Appalachian spring -- Nonet for strings -- Copland Rehearses appalachian spring…”

Tabla de Contenidos: “…Disco 1: Vitebsk, study on a Jewish theme for piano trio -- Sextet for clarinet, piano and string quartet -- Piano quartet -- Duo for flute and piano ; Disco 2: Lincoln portrait -- twelve poems of Emily Dickinson -- Old american songs -- Billy the kid…”

Tabla de Contenidos: “…Intro -- B I P O L A RThe Elements of Bipolar -- Acknowledgements -- Table of Contents -- From the Author -- INTRODUCTION -- THE PSYCHIATRIC "BIBLE -- BIPOLAR STORIES -- The Lord -- The Bank Robber -- Sarah -- Billy the Kid -- One Time Forgiveness -- The Business Addict -- Bipolar Kids -- BALANCING -- Self Medication -- Psychotropic Medication -- Neurofeedback/Biofeedback -- THERAPISTS -- BIPOLAR MANIC BRAIN DYSFUNCTION -- REASONABLE EXPLANATIONS -- Intervening -- Evolution -- Research and Other Things -- The Spirit -- Suggested Readings: -- Bibliography…”

Tabla de Contenidos: “…Lomax / Cowboy Lingo / The Cowboy: His Cause and Cure / The American Cowboy / The Cowboy's Code / The Cowboy Enters the Movies / Billy the Kid, Hired Gun or Hero / Laureates of the Western Range / J. …”

Tabla de Contenidos: “…-- Paris and jazz : French neoclassicism and the new modern American music -- Back in the United States : popular music, jazz, and the new American music -- European influence beyond Stravinsky and les Six : Hába and Schoenberg -- Toward a new national music during the 1930s : Copland's populism, accessible style, and folk and popular music -- Copland's journey left -- "Folk" music and the popular front : El salón Mexico -- Billy the Kid -- A vision for American music-- …”

Tabla de Contenidos: “…; Chapter Four: Paris and Jazz: French Neoclassicism and the New Modern American Music; Chapter Five: Back in the United States: Popular Music, Jazz, and the New American Music; Chapter Six: European Influence beyond Stravinsky and Les Six: Hába and Schoenberg Chapter Seven: Toward a New National Music during the 1930s: Copland's Populism, Accessible Style, and Folk and Popular MusicChapter Eight: Copland's Journey Left; Chapter Nine: "Folk" Music and the Popular Front: El Salón México; Chapter Ten: Billy the Kid; Conclusion: A Vision for American Music . . .; Notes; Bibliography; Index…”

“…The theme of the cowboy and the West is further pursued in "The Cowboy Code" by Paul Patterson, "The Cowboy Enters the Movies" by Mody Boatright, "Billy the Kid, Hired Gun or Hero" by John O. West, and "Laureates of the Western Range" by Everett A. …”

“…From there he went on to direct a phenomenal series of features, including Ride the High Country, Straw Dogs, The Getaway, Pat Garrett and Billy the Kid, and The Wild Bunch. Peckinpah was both a hopeless romantic and a grim nihilist, a filmmaker who defined his era as much as he was shaped by it. …”