Tabla de Contenidos: “…Rowe -- Ornament and crime / Adolf Loos -- Architecture / Adolf Loos -- Manifesto of Futurist architecture / Antonio Sant'Elia -- The Turbine Hall of the AEG / Peter Behrens -- The state of German architecture / Sigfried Giedion - Programme of the Staatliche Bauhaus in Weimar / Walter Gropius -- Letter to the younger generation / Marianne Brandt -- Space (Architecture) / Laszlo Moholy-Nagy -- Where do we stand? …”
Sumario

Tabla de Contenidos: “…. ; Jardín inspirado en la Bauhaus / Youn-sun Chun ; Jardín boscoso / Arabella Lennox-Boyd ; Jardín de una vivienda adosada /Catherine Heatherington Designs ; Un jardín de círculos / Lotti Kierkegaard, Elizabeth Banks Associates ; Amantes del sol / Clarke Associates ; Cuatro jardines formales / Simon Dorrell ; Jardín de fibra óptica / Sarah Eberle, Hillier Landscapes ; Jardín dividido/ Nigel Fuller ; Jardín de varios niveles / Sarah Layton, Allium Gardens Ltd. ; Jardín de dos niveles con huerto / Christopher Maguire ; Una huella / Pickard Garden & Landscape Design ; Jardín en forma de almendra / Joe Swift & Sam Joyce, The Plant Room ; Patio de una iglesia / Victor Shanley ; Un sabor exótico / Natalya Scott ; Jardín en una cubierta con pérgolas / Andrew Wenham ; Dos jardines / Keith Pullan ; Geometría contemporánea / Cleve West ; La vieja vicaría / Michael Roberts Gardens & Landscape Designs ; Jardín de adoquines / Alison Dove ; Un jardín compartido / Barbara Hunt, Hunt Design ; Sendero curvo / David R. …”

Tabla de Contenidos: “…Railway Sheds, Expo Pavilions, Terminals - Spatial Landscapes of the Future, p. 58 ; Railways Conquer Architecture, p. 62 ; Euston Station, London, p. 64 ; Lime Street Station, Liverpool, p. 66 ; Gare d’Austerlitz, paris, p. 68 ; Station Designed by german Master Builders, p. 70 ; Field of Experimentation Expo Pavilions, p. 72 ; Crystal Palace, London, p. 74 ; Glass Palace, Munich, p. 74 ; Palais des Machines, World Exhibition, Paris, p. 78 ;Interim Worlds: The Avant-garde and Fascination with Construction, p. 80 ; Main station on Santa Maria Novella, Florence, p. 82 ; “Tensegrity” Structures for Wide Halls – Richard Buckminster Fuller and the Consequences, p. 84 ; Olympic Stadium, Munich, p. 86 ; US Pavilion, Expo Osaka, p. 88 ; A New Type of Terminal: Station and Airport Buildings, p. 90 ; Roofing Over the Postal Vehicle Shed, Chur, p. 92 ; Waterloo lnternational Terminal, London, p. 94 ; Lehrter Main Station, Berlin, p. 98 ; New Stations for Deutsche Bahn - Visions, p. 100 ; How Concrete Became Lighter - 100 Years of Concrete Pioneers, p. 102 ; Concrete: The Building Material of the 20th Century, p. 106 ; The ldeal Industrial City - Citè Industrielle, p. 108 ; The Magazine ABC, p. 110 ; The Domino Model, p. 112 ; Système Hennebique: The Strength of Reinforced Concrete in Design, p. 114 ; Apartment House, 25bis rue Franklin, Paris, p. 116 ; Bally Shoe Factory, Dottikon, p. 118 ; Fiat Automobile Factory Lingotto, Turin, p. 120 ; Key Buildings of Dutch Modernism, p. 122 ; Bauhaus Dessau, p. 126 ; The Invention of the “Mushroom Column”, p. 124 ; Van Nelle Tobacco, Tea and Coffee Factory, Rotterdam, p. 128 ; Johnson Wax, Administration Building, Racine, Wisconsin, p. 130 ; The Further Development of a Modern Culture of Building in Concrete: Concepts for Free Spatial Forms, p. 132 ; Pier Luig Nervi - Engineer Architect, p. 134 ; Angelo Mangiarotti - The Design Impact of Concrete: Structural Systems, p. 136 ; Franz Dischinger and Concrete Shell Technology, p. 138 ; Eduardo Torroja - The Logic of Form, p. 140 ; Eladio Dieste - Thin-shell Brickwork Structures: Using Concrete Technology, p. 142 ; Heinz Isler - Spatial Form and Shell Technology, p. 144 ; Concrete and Architectonically Shaped Space, p. 146 ; Portuguese Pavilion, World Exposition on the Theme of the Oceans, Lisbon, p. 148 ; Menil Collection Museum, Houston, Texas, p. 150 ; Hochschule fïr Technik und Wirtschaft and Commercial Building on Ottoplatz, Chur, p. 152 ; Transitions - From Tectonics to Morphology, Andermatt, p. 154 ; The “Liberated Façade” - From Wall to Partition to Skin, p. 156 ; Iron Skeleton Structure and Curtain Wall, p. 160 ; Office Buildings Liverpool, p. 162 ; Menier Chocolate Factory Noisiel-sur-Marne, p. 164 ; From the New York Iron Works to the “Chicago Frame”, p. 166 ; First Leiter Building and Fair Building; Chicago, Illinois, p. 168 ; The Chicago School of Architecture, p. 170 ; The “'façade libre” - A Project of Modernism, p. 172 ; The Luxfer Prism Company - Frank Lloyd Wright's Studies and Projects, p. 174 ; The Industrial Building Culture in Germany, p. 176 ; “Le mur rideau” - Studies and Projects by Le Corbusier, p. 178 ; Industrial Façade Technology - Studies and Projects by Jean Prouve, p. 180 ; The Lightness of Post-war Modernism, p. 182 ; Ludwig Mirs van der Rohe: IIT Campus and Skyscraper Technology in Chicago, p. 184 ; An American School of Thought of Post-war Modernism: Skidmore, Owings & Merrill, p. 186 ; From “Liberated Space” to Transparent Skin: Egon Eiermann and Sep Ruf, p. 188 ; After 1973 - The Future of the Intelligent Building Envelope, p. 190 ; The Technology of Structural Glazing - Peter Rice and RFR, p. 192 ; Experiments in the Field of Material Technology - the Buildings of Renzo Piano Building Workshop, p. 194 ; Concepts for New Glass Façades, p. 196 ; Transformation Strategies, p. 198 ; The “Communicative” Building Envelope, p. 200 ; Process Thinking Conquers Construction – lndustrialisation from the Balloon Frame to the Skyscraper, p. 202 ; Balloon Frame and Skyscraper: The First Symbols of Successful Industrial Building, p. 206 ; Wooden Frame Construction: Balloon Frame and Western Frame, p. 208 ; The McCormick Factory: “Interchangeable Parts” as the Forerunner of Industrial Building, p. 210 ; The Chicago Frame and the lnvention of the Skyscraper, p. 212 ; Frank Lloyd Wright – Ballon-frame Construction Technique and Tectonic Design, p. 214 ; Mass Production and the Industrial Programme of Modern Architecture, p. 216 ; Albert Kahn and the 'Industrial Office', p. 218 ; Major and Model Developments, p. 220 ; Case Study Houses, p. 224 ; Empire State Building, New York, p. 226 ; Construction System Mindset Between the “Sputnik Shock” and the “Oil Shock” - Precursors and Consequences, p. 228 ; Jean Prouve: from the “baraque demonlable” to the “2CV de l'habitat”, p. 230 ; The General Panel System, p. 232 ; The USM Construction System, p. 234 ; Concrete Construction Systems, p. 236 ; Structuralism, p. 238 ; From Mass-made to Customised Production, p. 240 ; Bercy 2 Shopping Centre Charenton le Pont near Paris, p. 242 ; Spheres, Blobs and Digital Tectonics, p. 244 ; Combination of Industrial and Manual Techniques, p. 246 ; "Sustainable Building Design" - A Future Project, p. 248 ; Efficiency and Effectiveness of Systems, Structures and Elements, p. 252 ; The Invention of the Joint, p. 254 ; The Renault Distribution Centre, Swindon, p. 256 ; Aluminium Jubilee Pavilion, Paris, p. 258 ; IBM Travelling Exhibition Pavilion, p. 260 ; Air as Construction Material, p. 262 ; Material and Technology, Resources and Processes, p. 264 ; Shigeru Ban: The “Paper Tube Structure” Technique, p. 266 ; Profiling: a Constant Theme of Industrial Design, p. 268 ; Plastics, New Materials, Composities, p. 270 ; Metamorphoses in Glass, p. 272 ; “Light Tech” and “Low Energy” - A Watershed in The Way of Thinking, p. 274 ; The “New Atrium” , p. 276 ; The City Mall, p. 278 ; The Green Skyscraper, p. 280 ; The Newsirit and Peak_Lab Research Projects, p. 282 ; Regarding the Question of Habitat, p. 286 ; 10 Points Regarding a Culture of Sustainability, p. 288 ; Learning from Nature, p. 290 ; Low-energy Strategies, p. 292 ; The Sustainable Skin Concept, p. 294 ; Jean-Marie TJibaou Cultural Centre, Nouméa, p. 296 ; Sir Ove Arup: The Key Speech, 1970, p. 298 ; Notes, p. 306 ; Bibliography, p. 313 ; Index, p. 318 ; Picture Credits, p. 318 ; lndex of Names, p. 318 ; Index of Places and Projects, p. 320 ; Exhibition and Expo Projects, p. 322.…”

Tabla de Contenidos: “…APUNTES Y ENCRUCIJADAS EN LOS ESPACIOS LABORALES DE LAS MUJERES. -- 4.1.2. FEMENINA BAUHAUS -- 4.2. EXPERIENCIAS EDUCATIVAS: -- 4.2.1. …”

Tabla de Contenidos: “…Una revisión sistemática de artículos en castellano publicados en revistas de investigación en la década 2010-2020 -- Capítulo 71 Los principios pedagógicos de la Bauhaus en la educación infantil. Arte, juego y música -- Capítulo 72 Libros musicales: clasificación y posibilidades didácticas para educación infantil -- Capítulo 73 Análisis de la transferencia al aula de la cardioeducación -- Capítulo 74 Práctica científica y contexto de la vida diaria a través de una propuesta didáctica de huerto escolar en educación infantil -- Capítulo 75 Mejora de la calidad del ambiente en las aulas de educación infantil. …”

“…Design topics and principles include: Bits, Dots, Lines, Shapes, Rule of Thirds, Zone System, Color Models, Collage, Appropriation, Gestalt, The Bauhaus Basic Course Approach, The Grid, Remix, Automation, and Revision…”

“…Christoph is head of the hydropower department of an energy supplier and lectures at Bauhaus University, Weimar . He also teaches at universities in developing countries through the International Knowledge Exchange Association, which he founded (Verein zur Förderung des internationalen Wissensaustauschs e.V. ).…”

“…Aus dem Inhalt: Der Schnellstart Der Organizer Ein neues Projekt anlegen Die Expertenansicht Import von Medien Arbeiten mit Inhalt Überblendungen Audiobearbeitung Die Farbkorrektur Animation und Videoeffekte Titel und Text Fotos und Grafiken Instantmotive Das Filmmenü Export Glossar mit Fachterminologie Über den Autor: Georg Frömelt studierte Mediengestaltung an der Bauhaus Universität in Weimar. Seit 2012 arbeitet er als selbstständiger Videograph in den Bereichen Kurzfilm, Animation und Musikvideo. …”

“…De 1920 a 1931, además de ser maestro en el Bauhaus, la escuela de arte más avanzada de Alemania, Klee llevó una vida inmensamente productiva. …”
Texto completo en Odilo

“…At the same time, significant convergent concerns emerge, such as the importance of urban centers and urbanization, the profound effect of political and technological disruption, and the question of identity.The volume represent a cross-section of Chinese and Americanist art historians, both early career and senior scholars, working on a wide variety of subjects, such as the Ashcan School, Impressionism, Cai Liang, Liang Sicheng, Huang Binhong, Cézanne, Bauhaus, Joseph Cornell, Andrew Wyeth, Louise Nevelson, Jackson Pollock, Andy Warhol, and contemporary art more broadly, with (as is usual in any survey of the 20th century these days) a concentration on the 1960s.…”