Tabla de Contenidos: “…Conté volum 7: Banca dell’Occhio (Emilio Ambasz), p. 54; Saint Edward’s University (Alejandro Aravena), p. 64; Lusatian lakeland landmark (Architektur & landschaft), p. 70; The Yas hotel (Asymtote), p. 76; Sano clinic therapy square (Atelier-Den / Inahara Archi-lab), p. 82; UPENN weave bridge (Cecil Balmond), p. 88; Kielder observatory (Charles Barclay), p. 92; Marcus prize pavilion (Barkow leibinger architects), p. 98; Nordwesthaus (Baumschlager Eberle), p. 102; The Mountaing (BIG), p. 108; Former Arsenale La Maddalena ( Stefano Boeri), p. 116; Three Box House / Hanil Cement Information Center and Guesthouse ( Byoung-soo Cho), p. 122; Liège-Guillemins TGV Station ( Santiago Calatrava), p. 132; The Chronicles of Time (Giacomo Costa), p. 140; Underground (Rand Elliott), p. 146; Bubbletecture H (Shuhei Endo), p. 152; Bahnhof Pionen (Albert France-Lanord), p. 158; Eden Bio ( Edouard François), p. 164; Roof House (Terunobu Fujimori), p. 170; House H ( Sou Fujimoto), p. 176; Towards Paradise ( Gustafson Porter +Gustafson Guthrie Nichol), p. 182; Burnham Pavilion, JS Bach / Zaha Hadid Architects Music Hall (Zaha Hadid), p. 190; Munch Area (Herreros Arquitectos), p. 198; VitraHaus (Herzog &De Meuron), p. 202; Artfarm (HHF), p. 210; HEART: Hearning Museum of Contemporary Art, Knut Hamsun Center (Steven Holl), p. 216; Guangzhou TV and Sightseeing Tower (Information Based Architecture), p. 228; Princess Elisabeth Antarctica (International Polar Foundation), p. 232; Island House (Iroje KHM Architects), p. 244; Green houses (Junya Ishigami), p. 244; ZA-Koenji Public Theater (Toyo Ito), p. 250; The High Line (James Corner Field Operations/Diller Scofidio + Renfro), p. 256; Juvet Landscape Hotel (Jensen & Skodvin Architects), p. 262; Diaphanous Space (Kalhöfer-Korschildgen), p. 268; Church of the Holy Cross, Fiberline Factory ( KHR), p. 274; Top of Tyrol Mountain Platform (LAAC), p. 284; Hotel Aire en Bardenas (Emiliano López Mónica Rivera), p. 290; Blobwall and Toy Furniture (Greg Lynn Form), p. 296; Villa Chardonne (Made in Sàrl), p. 302; Delegation of the Ismaili Imamat (Fumihiko Maki), p. 308; 41 Cooper Square (Morphosis), p. 314; Gateway Art Tower (Eric Own Moss), p. 320; Walls in the Landscape (Susanne Nobis), p. 324; The Beacon of Amsterdam, The Ladies of the Lake (NOX), p. 330; Naoshima Public Baths (Shinro Ohtake), p. 338; Prada Transformer, CCTV Television Station and Headquarters (OMA*AMO/Rem Koolhaas), p. 344; La Olmeda Roman Villa (Paredes Pedrosa Arquitectos), p. 358; EWHA Womans University (Dominique Perrault), p. 364; Emilio and Annavianca Vedova Foundation (Renzo Piano), p. 372; Flowing Gardens (Plasma Studio), p. 378; Villa Navarra (Rudy Ricciotti), p. 384; Alexandra Heritage Center, Mapungubwe Interpretation Center (Peter Rich), p. 390; RDF181 (Rotor), p. 400; Miyajima Office (Hiroshi Sambuichi), p. 406; Serpentine Pavilion, Rolex Learning Center (Sanaa/Kazuyo Sejima + Ryue Nishizawa), p. 412; Termas Geométricas Hot Springs Complex, Villarrica National Park (Germán del Sol), p. 426; Burj Khalifa (Skidmore, Owings & Merrill), p. 432; Frog Queen (Splitterwerk), p. 438; Izu Photo Museum ( Hiroshi Sugimoto), p. 444; Kiltro House (Supersudaka), p. 450; Tenchi House ( Masaharu Takasaki), p. 456; Swarovski Ginza, Waterfall (Yoshioka Tokujin), p. 462; Production Facilities for Les Ballets C de la B and LOD (de Vylder Vinck Taillieu), p. 470.…”