“…The essays highlight the links between bio-physical and socio-cultural processes, making connections between local and global scales, and focusing on the everyday practices of eating and drinking, essential for human survival. …”

“…Additionally, some applied aspects are covered, such as phytoremediation, the improvement of spinach growth by biochar and arbuscular mycorrhizal fungi, bio-friendly solutions for waste reduction, the accumulation of rare-earth elements by wild edible mushrooms, etc…”

“…It reports on novel methods of fabricating nanofibers, nanofiber yarns, and collagen nanofibers; functionalities of photochromic nanofibers, bead-on-string nanofibers, and bio-regeneration nanofibers; as well as piezoelectric nanoparticle-reinforced nanofibers. …”

“…<P>Photonic structures in the animal kingdom: valuable inspirations for bio-mimetic applications. Moth eye-type anti-reflecting nanostructures by an electron cyclotron resonance plasma. …”

Tabla de Contenidos: “…¿QUÉ FACTORES INFLUYEN EN EL DESARROLLO DE LA DEPENDENCIA ALCOHÓLICA?: EL MODELO BIO-PSICO-SOCIAL DE LA DEPENDENCIA ALCOHÓL -- 4.2.1. …”

Tabla de Contenidos: “…Nahia Idoiaga Mondragón -- BioNeuroSincronía: un método de movimiento para aliviar el estrés y el sufrimiento que causan las dificultades emocionales y las dificultades del aprendizaje / Sua Urana -- La importancia de realizar una valoración multidisciplinar en los bailarines / María Teresa Díaz Cardona, María Jesús Peces-Barba -- Estudio de la rodilla en estudiantes de danza del primer ciclo de Enseñanzas Básicas en los Conservatorios de Danza de la Comunidad Autónoma de Andalucía / Margarita María De Vargas Martínez -- La rodilla en el baile flamentco: prevalencia y factores implicados en las lesiones / Juan Bosco Calvo Mínguez -- Posture, functional movement and its relationship with injuries in university dancers / Isabel Artigues Cano -- CREARED_ESCENA 2019-20. …”

Tabla de Contenidos: “…Cover -- Half Title -- Title -- Copyright -- Contents -- About the Editor -- List of Contributors -- Preface -- Chapter 1 Advanced Building Materials -- 1.1 Introduction -- 1.1.1 Brief History of Building Materials -- 1.2 Different Factors for Consideration in the Selection of Building Materials -- 1.2.1 Climatic Conditions -- 1.2.2 Strength and Durability -- 1.2.3 Thermal Capabilities and Availability -- 1.2.4 Moisture and Fire Resistance -- 1.2.5 Maintenance and Cost Effectiveness -- 1.2.6 Sustainability and Aesthetics -- 1.3 Ancient Building Materials -- 1.3.1 Stone -- 1.3.2 Clay -- 1.3.3 Granite -- 1.3.4 Lime -- 1.3.5 Basalt -- 1.3.6 Wood -- 1.3.7 Bamboo -- 1.3.8 Thatch -- 1.3.9 Adobe -- 1.4 Conventional Building Materials -- 1.4.1 Concrete-Based Materials -- 1.4.2 Steel-Reinforced Concrete -- 1.4.3 Synthetic Fiber-Reinforced Concrete -- 1.4.4 Glass Fiber-Reinforced Concrete -- 1.4.5 Carbon Fiber-Reinforced Concrete -- 1.4.6 Steel -- 1.4.7 Brick -- 1.4.8 Glass -- 1.4.9 Wood -- 1.5 Advanced Building Materials -- 1.5.1 High-Performance Concrete -- 1.5.2 Ultra-High-Performance Concrete -- 1.5.3 Self-Healing Concrete -- 1.5.4 Flexible Concrete -- 1.5.5 Insulated Concrete Forms -- 1.5.6 Digital Concrete -- 1.5.7 Light-Emitting Concrete -- 1.5.8 Bio-Cementation -- 1.5.9 Recycled Materials -- References -- Chapter 2 Advances in Thermal Energy Storage in Buildings -- 2.1 Introduction -- 2.1.1 Heat Transfer in Building Envelopes -- 2.1.2 Classification of TES Systems -- 2.2 Types of Thermal Energy Storage -- 2.2.1 Sensible Heat Storage in Buildings -- 2.2.2 Latent Heat Storage in Buildings -- 2.2.3 Thermochemical Storage in Buildings -- 2.3 TES Methods and their Application in Buildings -- 2.3.1 Passive Storage Techniques -- 2.3.2 Active Storage Techniques -- 2.4 Advantages and Challenges of TES -- 2.5 Conclusions -- References…”

Tabla de Contenidos: “…Conté volum 7: Banca dell’Occhio (Emilio Ambasz), p. 54; Saint Edward’s University (Alejandro Aravena), p. 64; Lusatian lakeland landmark (Architektur & landschaft), p. 70; The Yas hotel (Asymtote), p. 76; Sano clinic therapy square (Atelier-Den / Inahara Archi-lab), p. 82; UPENN weave bridge (Cecil Balmond), p. 88; Kielder observatory (Charles Barclay), p. 92; Marcus prize pavilion (Barkow leibinger architects), p. 98; Nordwesthaus (Baumschlager Eberle), p. 102; The Mountaing (BIG), p. 108; Former Arsenale La Maddalena ( Stefano Boeri), p. 116; Three Box House / Hanil Cement Information Center and Guesthouse ( Byoung-soo Cho), p. 122; Liège-Guillemins TGV Station ( Santiago Calatrava), p. 132; The Chronicles of Time (Giacomo Costa), p. 140; Underground (Rand Elliott), p. 146; Bubbletecture H (Shuhei Endo), p. 152; Bahnhof Pionen (Albert France-Lanord), p. 158; Eden Bio ( Edouard François), p. 164; Roof House (Terunobu Fujimori), p. 170; House H ( Sou Fujimoto), p. 176; Towards Paradise ( Gustafson Porter +Gustafson Guthrie Nichol), p. 182; Burnham Pavilion, JS Bach / Zaha Hadid Architects Music Hall (Zaha Hadid), p. 190; Munch Area (Herreros Arquitectos), p. 198; VitraHaus (Herzog &De Meuron), p. 202; Artfarm (HHF), p. 210; HEART: Hearning Museum of Contemporary Art, Knut Hamsun Center (Steven Holl), p. 216; Guangzhou TV and Sightseeing Tower (Information Based Architecture), p. 228; Princess Elisabeth Antarctica (International Polar Foundation), p. 232; Island House (Iroje KHM Architects), p. 244; Green houses (Junya Ishigami), p. 244; ZA-Koenji Public Theater (Toyo Ito), p. 250; The High Line (James Corner Field Operations/Diller Scofidio + Renfro), p. 256; Juvet Landscape Hotel (Jensen & Skodvin Architects), p. 262; Diaphanous Space (Kalhöfer-Korschildgen), p. 268; Church of the Holy Cross, Fiberline Factory ( KHR), p. 274; Top of Tyrol Mountain Platform (LAAC), p. 284; Hotel Aire en Bardenas (Emiliano López Mónica Rivera), p. 290; Blobwall and Toy Furniture (Greg Lynn Form), p. 296; Villa Chardonne (Made in Sàrl), p. 302; Delegation of the Ismaili Imamat (Fumihiko Maki), p. 308; 41 Cooper Square (Morphosis), p. 314; Gateway Art Tower (Eric Own Moss), p. 320; Walls in the Landscape (Susanne Nobis), p. 324; The Beacon of Amsterdam, The Ladies of the Lake (NOX), p. 330; Naoshima Public Baths (Shinro Ohtake), p. 338; Prada Transformer, CCTV Television Station and Headquarters (OMA*AMO/Rem Koolhaas), p. 344; La Olmeda Roman Villa (Paredes Pedrosa Arquitectos), p. 358; EWHA Womans University (Dominique Perrault), p. 364; Emilio and Annavianca Vedova Foundation (Renzo Piano), p. 372; Flowing Gardens (Plasma Studio), p. 378; Villa Navarra (Rudy Ricciotti), p. 384; Alexandra Heritage Center, Mapungubwe Interpretation Center (Peter Rich), p. 390; RDF181 (Rotor), p. 400; Miyajima Office (Hiroshi Sambuichi), p. 406; Serpentine Pavilion, Rolex Learning Center (Sanaa/Kazuyo Sejima + Ryue Nishizawa), p. 412; Termas Geométricas Hot Springs Complex, Villarrica National Park (Germán del Sol), p. 426; Burj Khalifa (Skidmore, Owings & Merrill), p. 432; Frog Queen (Splitterwerk), p. 438; Izu Photo Museum ( Hiroshi Sugimoto), p. 444; Kiltro House (Supersudaka), p. 450; Tenchi House ( Masaharu Takasaki), p. 456; Swarovski Ginza, Waterfall (Yoshioka Tokujin), p. 462; Production Facilities for Les Ballets C de la B and LOD (de Vylder Vinck Taillieu), p. 470.…”

“…In particular, he discusses lithium-ion technology, the contribution of nanotechnologies, and current research using bio-inspired methods to develop innovations su..…”

“…The focus of this work is on integrated cardiovascular fluid mechanics, and the potential benefits to future cardiovascular research and the wider bio-medical community…”

“…New and historical satellite data and aerial photographs have been used to map the extent, change and bio-physical parameters, such as phenology and biomass. …”

“…The focus of this work is on integrated cardiovascular fluid mechanics, and the potential benefits to future cardiovascular research and the wider bio-medical community…”