Tabla de Contenidos: “…Intro -- Contents -- IntroductIon: Creating a Virus -- Chapter 1 Everything You Know Is Wrong -- Chapter 2 The Most Important Idea in This Book -- Rule One: Be True -- Chapter 3 Show Me Something Real -- Chapter 4 Just Press Record and Do It -- Chapter 5 I Am the Camera. Take Me There. -- Chapter 6 For Marketers: Be Honest -- Rule Two: Don't Waste My Time -- Chapter 7 Nothing but the Money Shots -- Chapter 8 Don't Tell Me a Story -- Chapter 9 For Marketers: No #&@ing Product Shots -- Rule Three: Be Unforgettable -- Chapter 10 Do Something Different -- Chapter 11 Own It -- Chapter 12 Capture a Unique Moment -- Chapter 13 For Marketers: Be Bold Enough to Be Unforgettable -- Rule Four: Ultimately, It's All About Humanity -- Chapter 14 Give Me the Thrill of Victory and the Agony of Defeat -- Chapter 15 Show Humanity, Not Perfection -- Chapter 16 For Marketers: Let Your Brand Be Human -- Your Secret Weapon: Music -- Final Words: Start Your Own Epidemic -- Case Studies: The Four Rules in Action -- [1] Daft Hands: Harder, Better, Faster, Stronger -- [2] A Dramatic Surprise on a Quiet Square -- [3] The Little Girl Giant -- [4] Dude Transports 22 Bricks on His Head -- [5] The T-Mobile Welcome Back -- [6] Lachen in der U-Bahn (Laughing in the Subway) -- [7] Time-Lapse Comparison: Skyscrapers, Jigsaw Puzzles, and Noah Kalina -- [8] "Torn," by David Armand and Natalie Imbruglia -- [9] Kony 2012 -- [10] Old Spice / The Man Your Man Could Smell Like -- Notes -- List of Videos -- Acknowledgments -- Index…”

Tabla de Contenidos: “…Darren Then Harvey: The Incest Taboo Reconsidered, the Collective Unconscious Reprised: Stephen Hartman; Chapter 15. Asaf: I Am Yourself: Eyal Rozmarin; Chapter 16. DeShawn: Beyond the Color Blindness in Gender: Avgi Saketopoulou; Chapter 17. …”

Tabla de Contenidos: “…CHAPTER TEN The Gospel according to Saint Jacques PART III PSYCHOANALYSIS AND THE CHILD; CHAPTER ELEVEN Psychoanalysis and the child; CHAPTER TWELVE The treatment setting: demand, transference and the contract with the parents and for their child; CHAPTER THIRTEEN Some cases of "name of the father subject supposed of knowledge"; CHAPTER FOURTEEN Father can't you see that I am burning? - interventions in the real of the parental couple; PART IV ON LOVE AND KNOWLEDGE; CHAPTER FIFTEEN The promise of love; CHAPTER SIXTEEN In the style of loving…”

Tabla de Contenidos: “…Populist Ambivalence to Tax Evasion: The 1962 Campaign Against Dividend and Interest Withhold-ing in the US -- 13. "I am a professional tax evader": Multinationals, business groups and tax havens, 1950s to 1980s -- 14. …”

Tabla de Contenidos: “…Cover -- Half Title -- Title -- Copyright -- Contents -- List of Figures -- List of Contributors -- Acknowledgments -- Introduction -- 1 Queer Time Unbound -- Section I (Un)Formalizing Queer Times -- 2 In Perfect (a)Synchrony: Queer Style in The Line of Beauty -- 3 "I Am Where I Need to Be": Queer Homemaking in Fulbright's Gone Home -- 4 Identity in the In-Between: Narrative Temporality and the Queer Experience in Tangerine and Moonlight -- 5 Disruptions to the Linear and Individual Narrative of Psychic Distress in Mike Barnes's The Lily Pond: A Memoir of Madness, Memory, Myth, and Metamorphosis -- 6 Re-Temporalizing Trauma Through Gameplay in Gibson and Swanwick's "Dogfight -- 7 Disrupting Binaries and Linearities: Queer and Trans Temporalities in Imogen Binnie's Nevada -- Section II Unearthing Queer Times -- 8 Queer Memory and the Brown Commons -- 9 Time, Memory, and Queer Sensibility in Milan Kundera's The Book of Laughter and Forgetting -- 10 A Faded Photograph: Ghosts, Specters, and Other Phantoms in Rebecca Makkai's The Great Believers -- 11 "Be Three Now": Queering the Postwar Heterosexual Marriage in Ann Quin's Three -- 12 The Rogue as a Queer Agent in Video Games: The Picaresque Novel Legacy -- Section III Unbinding Queer Time -- 13 Genesis Noir and Cosmological Time: How I Learned to Stop Worrying and Love the Big Bang -- 14 Posthuman Temporalities and Shared Timings: Kinship in the Work of Jim Jarmusch -- 15 "All the Ages We've Shaped Together": Examining Queer Genealogies, Science Fiction and Non-Linear Storytelling Through El-Mohtar and Gladstone's This Is How You Lose the Time War (2019) -- 16 Unbound and Loving It!…”

Tabla de Contenidos: “…Language, culture and identity: framing the issues / David Nunan & Julie Choi -- Coat hangers, cowboys, and communication strategies: seeking an identity as a proficient foreign language learner Kathleen Bailey -- Speaking Roman-esque / David Block -- Zzÿcollaborating on community, sharing experience, troubling the symbolic / Michael Brennan -- Achieving community / Suresh Canagarajah -- Socio-pragmatics and cross-cultural encounters: what you need to know before you say 'hello' / Mark Cherry -- Nonghao, I am a Shanhai Noenoe: how do I claim my Shanghaineseness? …”

Tabla de Contenidos: “…Riley -- L.A. video: uncensored / Bruce Yonemoto -- I ain't Cuba: the early video works of Tony Labat / Steve Seid -- "I am teaching video art" / Rita Gonzalez…”

Tabla de Contenidos: “…Mary Pickford: the biograph girl -- Pola Negri: inventing the star -- Charlie Chaplin: the tramp -- 'Asta' and Cheeta': the animal star -- Peter Lorre: character actor -- Fred Astaire, Ginger Rogers, Gene Kelly: a star danced -- Katharine Hepburn and Cary Grant: the public image -- Vivien Leigh: ruinous selves -- Veronica Lake: half-obscured faces -- Carole Lombard: the screwball heroine -- Greer Garson and Joan Fontaine: the forgotten star -- Orson Welles: the film star as fragment and failure -- Ingrid Bergman: intermezzo -- Lamberto Maggiorani and Maria Pia Casilio: absent film stars in Vittorio de Sica's films -- Moira Shearer: the marionette -- Gloria Swanson: having a face -- Ava Gardner: I am not an actress -- Montgomery Clift: he's not there -- Setsuko Hara: the still point -- Toshiro Mifune: studying lions -- Nargis and Raj Kapoor: my heart is Hindustani -- Giulette Masina and Marcello Mastroianni: nothing is sadder than laughter -- John Wayne: how to grow old -- Audrey Hepburn: Frankenstein's creature -- Marilyn Monroe: the suffering star -- Juanita Moore and Susan Kohner: Imitation of life -- Janet Leigh and Tippi Hedren: torturing the audience -- Audrey Hepburn and Cary Grant: the strange death of the Hollywood golden age -- Anna Karina: the muse -- Celia Johnson and Julie Christie: the adulterous star -- Sidney Poitier: the defiant one -- Dustin Hoffman: little big man -- Woody Allen: the director as star -- Robert de Niro: for real -- Harrison Ford: Blade runner and the replication of the person -- Maggei Cheung: centre stage -- Naomi Watts: Mulholland Drive -- Scarlett Johansson: a new kind of emptiness -- Shu Qi: a placeless heaven -- Andy Serkis: Lear's shadow…”

Accés Lliure

“…If this is the quality of writing that Africa as a continent can produce, we as law students, young scholars and future legal practitioners can only reach new heights. I am proud of the work that the authors have put into their articles, but especially I am proud of the editorial committee and the work they have done to ensure that the PSLR delivers quality articles. …”

Tabla de Contenidos: “…The Role of Art in Recent Biofiction on Sofonisba Anguissola -- 18. "I am Artemisia": Art and Trauma in Joy McCullough's Blood Water Paint -- 19. …”

Tabla de Contenidos: “…The 'Whining and Complaining' MonologueThe 'What a Screw-up I Am' Monologue; The Dirty-Word Monologue; The 'Too Much out of Context' Monologue; The Screenplay Monologue; The One-Person-Show Monologue; The Monologue You Wrote; The 'Big Pay-Off at the End' Monologue; The Shakespeare Monologue; The Pre-Twentieth-Century Monologue; The 'Remembering the Past' Monologue; Summary of "Picking Your Monologue"; Part II Working on Your Monologue; 5 Getting Started; Step One: Read the Play; Step Two: What Are the Given Circumstances?…”