“…But more is at stake than just another hapless visitation from the on high of high theory: reading Buffy as the remediated afterlife of the dead-on-arrival genre of the baroque German mourning play, Adler's book records the first broken, awkward steps toward a project that, with the recent rise of "quality television," seems more urgent than ever before: a political-theological characteristic of the television series…”

Tabla de Contenidos: “…Michael Curtis -- 2002 John Blair: "Bacon on the Beach" | from American Standard, selected by Elizabeth Hardwick -- 2003 Suzanne Greenberg: "Speed-Walk" | from Speed-Walk and Other Stories, selected by Rick Moody -- 2004 Darrell Spencer: "Bring Your Legs with You" | from Bring Your Legs with You, selected by Michael Chabon -- 2005 David Harris Ebenbach: "Misdirections" | from Between Camelots, selected by Stewart O'Nan -- 2006 Todd James Pierce: "Columbine: The Musical" | from Newsworld, selected by Joan Didion -- 2008 Anthony Varallo: "In the Age of Automobiles" | from Out Loud, selected by Scott Turow -- 2009 Anne Sanow: "Pioneer" | from Triple Time, selected by Ann Patchett -- 2010 Tina May Hall: "Visitations" | from The Physics of Imaginary Objects, selected by Renata Adler -- 2011 Shannon Cain: "This Is How It Starts" | from The Necessity of Certain Behaviors, selected by Alice Mattison -- 2012 Beth Bosworth: "The Source of Life" | from The Source of Life and Other Stories, selected by Sven Birkerts -- 2013 Anthony Wallace: "The Old Priest" | from The Old Priest, selected by Amy Hempel -- 2014 Kent Nelson: "Alba" | from The Spirit Bird, selected by David Guterson -- 2015 Leslie Pietrzyk: "Ten Things" | from This Angel on My Chest, selected by Jill McCorkle -- 2016 Melissa Yancy: "Dog Years"| from Dog Years, selected by Richard Russo -- 2017 William Wall: "The Mountain Road" | from The Islands, selected by David Gates -- 2018 Brad Felver: "Dogs of Detroit" | from The Dogs of Detroit, selected by Lynne Sharon Schwartz -- 2019 Kate Wisel: "Mick's Street" | from Driving in Cars with Homeless Men, selected by Min Jin Lee…”

Tabla de Contenidos: “…Taylor; 6) John Berthrong; 7) Joseph A. Adler; Chapter Three Epistemological Significance of the Controversy over Confucian Religiosity…”
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Tabla de Contenidos: “…I Am My Mother's Daughter: Early Developmental Influences on Leadership: Nancy J. AdlerChapter 9. Beginnings Matter in Genuine Leadership Development: Bruce J. …”

“…This volume conveys an impression of the camp's reach in European literature by looking at the few canonical texts by writers like Apitz, Semprún, Kertész, Adler, and Antelme, but also going beyond them…”

“…Nacida en Santa María de Guía (Gran Canaria), tras acabar su formación en el Conservatorio de Arte Dramático de Madrid, en 1947, se marcha a Nueva York, donde estudia con Erwin Piscator, Stella Adler y Lee Strasberg. Luego pasa a Cuba y se convierte en una primera figura de la escena. …”

Tabla de Contenidos: “…Harrington -- The pseudepigrapha in the early church / William Adler -- The codex and canon consciousness / Robert A. …”

“…Viena, 1938. Samuel Adler es un niño judío de seis años cuyo padre desaparece durante la Noche de los Cristales Rotos, en la que su familia lo pierde todo. …”

“…Han colaborado con la autora para la redacción de este libro: Françoise Dolto, psicoanalista de niños, Octave Mannoni y MarieAnne d'Adler. Pero, además, se ha requerido la opinión de una profesora, de la directora de una escuela maternal y de su equipo de maestras, con la idea de introducir una prespectiva diferente en el enfoque global del sistema…”

Tabla de Contenidos: “…Introduction, p.7; Aino Aalto, p.14; Rand Abdul Jabbar, p.15; Susi Aczel, p.16; Lindsey Adelman, p.17; Lani Adeoye, p.18; Ruth Adler Schnee, p.19; Anni Albers, p.20; Kawther Alsaffar, p.21; Jeannette Altherr, p.22; Karin Schou Andersen, p.23; Joyce Anderson, p.24; Carina Seth Andersson, p.25; Wendy Andreu, p.26; Antonia Astori, p.37; Jane Atfield, p.38; Gae Aulenti, p.29; Tamoko Azumi, p.30; Cleo Baldon, p.31; Lucia Bartolini, p.32; Stephanie Beamer, Crystal Ellis & Hillary Petrie, p.33; Dorothee Becker, p.34; Liisi Beckmann, p.35; Martine Bedin, p.36; Vivian Beer, p.37; Mercedes “Ched” Berenguer-Topacio, p. 38; Otti Berger, p.39; Susi Berger, p.40; Laelie Berzon & Lisa Vincitorio, p. 42; Nikita Bhate, p.43; Ilaria Bianchi, p. 44; Ayse Birsel, p.45; Aída Boal, p.47; Lina Bo Bardi, p.48; Cini Boeri, p.50; Hedwing Bollhagen, p.51; Marianne Brandt, p.52; Bec Brittain, p.53; Gegia Bronzini, p.54; Barbara Brown, p.55; Maria Bruun , p.56; Rachel Bullock & Molly Purnell, p.57; Marie Burgos, p.58; Louise Campbell, p.58; Gloria Caranica, p.60; Etel Carmona, p.61; Maddalena Casadei, p. 62; Anna Castelli Ferrieri, p.63; Carol Catalano, p.64 Jungyou Choi, p.65; Maria Chomentowska, p.66; Karen Clemmensen, p.67; Muriel Coleman, p.68; Kim Colin, p.69; Janete Costa, p.70; Matali Crasset, p.71; Ilse Crawford, p.72; Gabriella Crespi, p. 74; Raffaella Crespi, p.75; Veronica Dagnert & Helena Jonasson, p.76; Lucienne Day, p.77; Nada Debs, p.78; Qiyun Deng, p.79; Marie Dessuant, p.80; Freda Diamond, p.82; Friedl Dicker-Brandeis, p.84; Jane Dillon, p.85; Aïssa Dione, p.86; Nanna Ditzel, p.87; Helen Dryden, p.88; Helen Hughes Dulany, p.89; Nathalie Du Pasquier, p.90; Ray Eames, p.92; Kiki Van Eijk, p.94; Yeşim Eröktem, p. 95; Lisa Ertel, p.96; Felicia Ferrone , p.98; Andrea Flores & Lucía Soto, p.99; Marisa Forlani, p.100; Monica Förster, p.101; Carol Gay, p.102; Marion Geller, p.103; Ruth Hidegard Geyer-Raack, p.104; Emiliana Gonzalez & Jessie Young, p.105; Anne Krohn Graham, p.106; Johanna Grawunder, p.107; Eileen Gray, p.108; Rachel Griffin, p.110; Greta Grossman, p.111; Zaha Hadid , p.112; Virgina Hamill, p.114; Ineke Hans, p.115; Eszter Haraszty, p.116; Trix Haussmann, p. 117; Mette Hay, p. 118; Edith Heath, p. 119; Franca Helg, p. 120; Margarete Heymann-Löbenstein, p. 121; Franziska Hosken, p. 122, Rossana Hu, p. 123; Marialaura Rossiello Irvine, p. 124; Shinobu Ito, p. 125; Sophie Lou Jacobsen & Sarita Posada, p. 126; Grete Jalk, p. 127; Nata Janberidze & Keti Toloraia, p. 128; Ania Jaworska, p. 129; Hilda Jesse-Schmid, p. 130; Lisa Johansson-Pape, p. 131; Hella Jongerius, p. 132; Merve Kahraman, p. 134; Ilonka Karasz, p.135; Anna Karlin, p. 136; Bodil Kjær, p.137; Florence Knoll, p.138; Belle Kohan, p.139; Lucie Koldová, p.140; Ana Kraš, p.141; Teresa Kruszewska, p.142; Agata Kulik-Pomorska, p.143; Sofia Lagerkvist & Anna Lindgren, p.144; Claude Lalanne, p.145; Elisabeth Eyre de Lanux, p.146; Francesca Fanzavecchia, p.148; Estelle Laverne, p.149; Monling Lee, p.150; Olga Lee, p.151; Geke Lensink, p.152; Rosie Li, p.153; Francesca Lindh, p.154; Aljoud Lootah, p.155; Althea McNish, p.156; India Mahdavi, p.157; Rianne Makkink, p.158; Cecile Manz, p.159; Sabine Marcelis, p.160; Grethe Meyer, p.162; Hikaru Mori, p.163; Renate Müller, p.164; Ignacia Murtagh, p.165; Mira Nakashima, p.166; Paola Navone, p.167; Greta von Nessen, p.168; Stephanie Ng, p.169; Anna Maria Niemeyer, p.170; Libuše Niklová, p.172; Dina Nur Satti, p.173; Gunnel Nyman, p.174; Moyo Ogunseinde, p.175; Jay Sae Jung Oh, p.176; Ann Pamintuan, p.177; Luisa Parisi, p.178; Tamara Pérez, p.179; Maria Pergay, p.180; Charlotte Perriand, p.181; Clara Porset, p.182; Andrée Putman, p.183; Ingegerd Råman, p.184; Mary Ratcliffe, p.185; Samira Rathod, p.186; Noémi Raymond, p.187; Lilly Reich, p.188; Margaretha Reichardt, p.189; Sylvia Reid, p.190; Coco Reynolds, p. 191; Lucie Rie, p.192; Estefanía de Ros, p.193; Pipsan Saarinen-Swanson, p.194; Latifa Saeed, p.195; Mentalla Said & Jumana Taha, p.196; Clauda Moreira Salles, p.197; Maria Sanchez, p.198; Cynthia Sargent, p.199; Afra Scarpa, p.200; Bertha Schaefer, p.201; Zahara Schatz, p.202; Margarete Schütte-Lihotzky, p.203; Emma Schweinberger, p.204; Denise Scott Brown, p.205; Kazuyo Sejima, p.206; Inga Sempé, p.208; Mia Senekal, p.209; Mimi Shodeinde, p.210; Alma Siedhoff-Buscher, p.211; Jutta Sika, p.212; Trudi Sitterle, p.213; Alison Smithson, p.214; Sylvia Stave, p.215; Nanny Still, p.216; Gunta Stölzl, p.217; Marianne Straub, p.218; Marianne Strengell, p.219; Saša Štucin, p.220; Claudia Suarez Ahedo, p.221, Hiroko Takeda, p.222; Reiko Tanabe, p.223; Jacqueline Terpins, p.224; Faye Toogood, p.226; Helena Tynell, p.227; Patricia Urquiola, p.228; Mpho Vackier, p.229; Garance Vallée, p.230; Ionna Vautrin, p.131; Lella Vignelli, p.232; Nanda Vigo, p.233; Hisako Watanabe, p.234; Chen-Yen Wei, p.235; Donna Wilson, p.236; Esther Wood, p.237; Sohyun Yun, p.238; Utharaa Zacharias, p.239; Eva Zeisel, p.240; Sandrine Ébène de Zorzi, p.241; Timeline, p.244; Endnotes, p.256; Index, p.258…”

Tabla de Contenidos: “…Wakslak, Yaacov Trope & Nira Liberman -- Sitting at the nexus of epistemological traditions : narrative psychological perspectives on self-knowledge / Jonathan M. Adler -- Motives and biases in self-knowledge -- Illusions of self-knowledge / Katherine E. …”

Tabla de Contenidos: “…The Impact of Touch on Communication and Physical DevelopmentTouch as a Facilitator of Attachment and Affect Development; Touch as a Facilitator of Separation and Individuation; The Impact of Touch Dysfunctions on Child Development; The Relevance of Touch with Older Persons; Summary; Chapter 3 - Traditions of Touch within Various Cultures; Christian and Other Religious Traditions; The Practices of Medicine; Child Rearing; Summary; Chapter 4 - Traditions of Touch in Psychotherapy; Psychoanalysis; Freud; Ferenczi; Reich; Body-Oriented Psychotherapies; Bioenergetics; Adler…”

“…Le 14 septembre 2011, dans l’émission de Laure Adler Hors champ sur France Culture, Jean-Luc Godard tenait les propos suivants : « Question : Expliquez-nous la différence entre du cinéma vrai et des films, faire des films. …”

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Tabla de Contenidos: “…Symbolism according to Silberer, Adler and Jung; 4. An attempt to explain unconscious symbolism; 5. …”

Tabla de Contenidos: “…Emotions, love, and sexuality in committed relationships / Karl Lenz and Marina A. Adler -- Part VII. New insights into the division of work in families -- 20. …”

Tabla de Contenidos: “…- And why we should ask where one should experience or learn that, and how to teach it, Günter Ziegler, Andreas Loos -- International Comparative Studies in Mathematics: Lessons and Future Directions For Improving Students’ Learning, Jinfa Cai, Ida Mok, Vijay Reddy, Kaye Stacey -- Transitions in Mathematics Education, Ghislaine Gueudet, Marianna Bosch, Andrea A. diSessa, Oh Nam Kwon, Lieven Verschaffel -- Part 2: Awardees' lectures -- ICMI Awards Ceremony, Carolyn Kieran, Jeremy Kilpatrick -- Mathematics Discourse in Instruction (MDI): A discursive resource as boundary object across practices, Jill Adler -- The challenging relationship between fundamental research and action in mathematics education, Michèle Artigue -- Elementary mathematicians from advanced standpoints - a cultural perspective on mathematics education, Alan Bishop -- Design and Development for Large-Scale Improvement, Hugh Burkhardt, Malcolm Swan -- Making Sense of Mathematics Achievement in East Asia: Does culture really matter? …”

Tabla de Contenidos: “…El narcisismo dañado, el complejo de inferioridad (Adler)3. Carácter, plan de vida y estilo de vida; 4. …”