Tabla de Contenidos: “…": The Hymnary for compline in the Escorial's Choirbook Collection / Juan Carlos Asensio -- A Fifteenth-Century Plainchant Office by Hernando de Talavera to Commemorate the Battle of Salado / Mercedes Castillo Ferreira -- Music and cerimony in Granada Cathedral following the Council of Trent / Gonzalo Roldán -- Similaruty and constrast in the Cantigas de Santa María / Sarah Johnson -- The Case of disappearing beats: a new look at the Spanish In seculum: Hocket in Madrid, Biblioteca Nacional de España, MS 20486 / Mary E. Wolinski -- Duo seraphim clamabant: homage, parody and Marian symbolism in a Motet and Antiphon from Renaissance Sevilla / Rory McCleery -- Music and architecture in the historic façade of the University of Salamanca / Amaya Sara García Pérez -- Artes de canto and music teaching in the Renaissacne Iberian world / Ascensión Mazuela-Anguita -- Con ayuda de nuestro señor: Teachin improvised counterpoint in Sixteenth-Century Spain / Giuseppe Fiorentio -- Improvisational practice and harmonic composition in Mid-Sixteenth-Century Italy and Spain / Luca Bruno -- Non se tenga por maestra complida: the skilful medieval female performer and her challenge to the social and intellectual space dominated by males / Mauricio Molina -- The Spanish prohibition of women listening to music: some reflections on Juan Luis Vives and the Jewish and Muslim Legacy / Pilar Ramos López -- Revising polyphonic lamentations: composition transmission and performance practice context / Sergi Zauner -- Alternative to the "English a cappella heresy": performance practice of sacred spanish polyphony in English Domestic Circles Based on Elizabethan and Early Jacobean sources / Hector Sequera -- Reflections on Our Mimetic Heritage: from Plato / Leo Treitler…”