“…An empirical study of audience responses to operas that have been reinterpreted to appeal to modern tastes provides lesson for how to leverage a historically strong brand to reach new customers, without alienating loyal fans…”

“…This volume concludes with letters to friends about the intent and performance of his great operas; estimations of Liszt, Beethoven, Mozart, Gluck, Berlioz, and others; and, suggestions for the reform of opera houses in Vienna, Paris, and Zurich. …”

“…This book won the Sigismondo Malatesta Association Award "Critical Opera" - Literature, Theater and Performing Arts - 2009 Edition…”

“…Escenógrafo de más de 600 obras, que van desde comedias sencillas hasta óperas y complicados musicales, David Antón es parte imprescindible de la historia del teatro mexicano de la segunda mitad del siglo XX, y de nuestros días. …”
Acceso restringido con credenciales UPSA

Tabla de Contenidos: “…En él se representaron obras dramáticas, óperas, zarzuel -- Banquete de inauguración eaj-14 Radio Castelló el 1 de junio de 1933. …”

Tabla de Contenidos: “…(Comprehensive Office Building, Zhujiajiao Administration Center, Quingpu, Shangai, China, 2004-06), p. 334 ; PAULO MENDES DA ROCHA (Our Lady of the Conception Chapel, Recife, Pernambuco, Brazil, 2004-06), p. 340 ; CORINNA MENN (Conn Viewinf Platform, Flims, Switzerland, 2005-06), p. 346 ; MERKX + GIROD ARCHITECTEN (Selexyz Dominicanen Bookstore, Maastricht, The Netherlands, 2005-07), p. 352 ; JOSÉ RAFAEL MONEO (Prado Museum Extension, Madrid, Spain, 2001-07), p. 358 ; MORPHOSIS (Hypo Alpe-Adria Bank Headquarters, Udine, Italy, 2004-06), p. 364 ; MVRDV (GYRE Building, Shibuya-ku, Tokyo, Japan, 2006-07), p. 372 ; MANFREDI NICOLETTI (New Arezzo Hall of Justice, Arezzo, Italy, 2001-07), p. 378 ; VALERIO OLGIATI (Atelier Bardill, Scharans, Switzerland, 2006-07), p. 382 ; STUDIO PEI – ZHU (Digital Beijing, Control Center for the 2008 Olympics, Beijing, China, 2005-08), p. 386 ; RENZO PIANO (The New York Times Building, New York, New York, USA, 2005-07), p. 394 ; PTW ARCHITECTS (The Watercube, National Swimming Center, Beijing, China, 2003-08), p. 404 ; STUDIO ARNE QUINZE (Uchronia Message out of the Future, Burning Man Festival, Black Rock City, Black Rock Desert, Nevada, USA, 2006), p. 412 ; RCR ARQUITECTES (The Edge, Bussines Bay, Dubai, United Arab Emirates, 2008-), p. 418 ; ROJKIND ARQUITECTOS (Nestlé Chocolate Museum (Phase I), Toluca, Mexico City, Mexico, 2007), p. 424 ; MARC ROLINET (Chapel of the Deaconesses of Reuilly, Versailles, France, 2004-07), p. 430 ; HANS-JORG RUCH (Chesa Madalena, Zuoz, Switzerland, 2001-02), p. 438 ; SANAA/SEJIMA + NISHIZAWA (De Kunstlinie, Theater and Cultural Center, Almere, The Netherlands, 2004-07 / New Museum of Contemporary Art, New York, New York, USA, 2005-07), p. 442 ; THOMAS SCHÜTTE (Model for a Hotel, Fourth Plinth, Trafalgar Square, London, UK, 2007-08), p. 456 ; SCOPE CLEAVER (Princeton University Gallery of the Arts, Princeton University (120, 204, 24), “Second Life”, 2007), p. 460 ; ÁLVARO SIZA VIEIRA (Adega Mayor Winery, Argamassas Estate – Campo Maior, Portugal, 2005-06 / Iberê Camargo Foundation, Porto Alegre, Rio Grande do Sul, Brazil, 1998-2008), p. 466 ; SNØHETTA (Oslo Opera House, Oslo, Norway, 2003-08), p. 484 ; TONKIN LIU (Singing Ringing Tree, Crown Point, Burnley, UK, 2005-06), p. 492 ; BERNARD TSCHUMI (Zénith Concert Hall, Limoges, France, 2005-07), p. 496 ; UNSTUDIO (Hotel Castell, Zuoz, Switzerland, 2001-04 / Theater Agora, Lelystad, The Netherlands, 2004-07), p. 502 ; URBANIS (Dafen Art Museum, Dafen Village, Shenzhen, China, 2006-08), p. 516 ; PEKKA VAPAAVUORI (KUMUU, Main Building of the Art Museum of Estonia, Tallinn, Estonia, 2003-06), p. 524 ; VARIOUS ARCHITECTS (Make It Right/Pink Project, New Orleans, Louisiana, USA, 2007-), p. 530 ; WANDEL HOEFER LORCH (Ohel Jakob Synagogue, Jewish Center in Munich, St.…”

Tabla de Contenidos: “….-21 v.) . Inc.: Magna opera domini ait propheta Dauid . Magna quidem omnia (h . 20 v.) . 15 . …”

“…As Jack Zipes says further in the foreword, "Folk and fairy tales pervade our lives constantly through television soap operas and commercials, in comic books and cartoons, in school plays and storytelling performances, in our superstitions and prayers for miracles…”

“…For each category of bank (all banks, large commercial banks, other commercial banks, foreign commercial banks, co-operaive banks, savings banks, etc) in each reporting country, an aggregate income statement and balance sheet is provided. …”

“…Engaging with cosmopolitanism, post-operaism, and theories of multiple modernities she argues in favor of a multipolar world with a real cultural and political pluralism. -- Publisher's website…”

“…Drawing on travel narratives, satires, philosophical works, novels, plays, operas, and paintings, it shows how this transnational process affected, in changing historical contexts, the ways in which nation, gender, and modernity were imagined and mutually articulated"--…”

Tabla de Contenidos: “….: Cum Dei perfecta sunt opera (h . 309 r.) . 76 . Processus papie contra G . …”

“…Isola respinge tutte le presunte argomentazioni a favore della paternità ferrandiana dell’opera e suggerisce anzi che la Vita Fulgentii sia stata scritta dal monaco Redemptus di Telepte, verso il quale convergono varie considerazioni. …”

“…The myth gave rise to operas and one-act plays, and in the 1950s to a novel by Alan LeMay, which would be adapted into one of Hollywood's most legendary films, The Searchers, directed by John Ford and starring John Wayne. …”

Tabla de Contenidos: “…Luisa Tolosa Robledo -- Pequeñas y Grandes poses: Diferentes interpretaciones / Comunicación de África Hernández Castillo -- Balanchine: una didáctica y metodología específica al servicio de su estilo / Comunicación de Trinidad Gil Ferrandis -- Transmisión de un rol artístico: la experiencia artística de Alicia Amatriain en la “Locura de Giselle” / Comunicación de Gema Casino Penalba -- Soundcool: Soundcool: smartphones y tablets para la educación musical, ópera La Mare dels peixos y la danza. http://soundcool.org / Ponencia de Dr. …”