“…È questo il punto centrale intorno al quale ruota l'intera opera proposta, sviluppato a partire dal pensiero e dall'opera di Ernst H. …”
Sumario

“…"L'opera si propone come uno studio della condotta di favoreggiamento e della sua incidenza sulla disciplina ecclesiastica, guardando soprattutto al concetto di interferenza, introdotto nelle ultime promulgazioni dal Legislatore. …”

“…"L’opera ricostruisce gli ultimi 175 anni di storia delle italiane nella consapevolezza di quanto sia stato lungo, complesso e frastagliato il cammino che le ha portate nella vita pubblica e verso la modernità. …”

“…"El 26 de enero de 1936, en el teatro Bolshói de Moscú, Shostakóvich contra Stalin se representaba por enésima vez la ópera de Dmitri Shostakóvich Lady Macbeth de Mtsensk. …”

Tabla de Contenidos: “…12.6 Small wind ensembles: studio or concert layout -- 13 Wind, brass, and percussion bands -- 13.1 A note about dynamic range and ear protection -- 13.2 Large wind ensembles -- 13.3 Classical brass ensemble -- 13.4 Brass band -- 13.5 Percussion ensembles -- 14 Organ -- 14.1 Brief introduction to the pipe organ -- 14.2 Doing a venue reconnoitre -- 14.3 Microphone choices, stands, and cable runs -- 14.4 Basic technique: straightforward organ layout -- 14.5 Organs with pipe divisions in several locations -- 14.6 Interesting acoustic effects and other awkward corners -- 14.7 Monitoring limitations -- 14.8 Communication: talk microphone -- 14.9 Noise -- 14.10 Electronic organs -- 14.11 Organ with orchestra: overdubbing or simultaneous recording -- 14.12 Organ pitch -- 14.13 Sampled organs -- 15 Choirs -- 15.1 General notes on microphone choice and placement -- 15.2 Choir spacing -- 15.3 Small choir -- 15.4 The choral society -- 15.5 Choral society with soloists and organ in concert -- 15.6 Antiphonal church choir -- 16 Solo voice, orchestra, and choir -- 16.1 Orchestra and choir -- 16.2 Orchestra and choir with stationary soloists -- 16.3 Recording live opera for cinema, DVD, TV, radio, or CD -- 16.4 Recording live opera at the Royal Opera House: microphone set-ups -- 16.5 Mixing opera to 5.1 surround for cinema -- Part III After the recording session -- 17 Mixing -- 17.1 Choosing and blending microphone sources into a static balance -- 17.2 Riding levels on ancillary microphones -- 17.3 Use of EQ and high-pass filters -- 17.4 Use of delays -- 17.5 Reverb: natural and artificial -- 17.6 Riding overall levels -- 18 Editing and post-production -- 18.1 Aims and philosophy of editing -- 18.2 Requirements of a classical editing system -- 18.3 Source-destination editing -- 18.4 Classical post-production workflow…”

Tabla de Contenidos: “…Briscoe -- "Monologue of Mary," from the opera Mary, Queen of Scots (1977) -- Ellen Taaffe Zwilich / by Ellen Taaffe Zwilich with Bruce Creditor -- First Movement of Symphony No. 1 (1982)…”

Tabla de Contenidos: “…/ Rubber ball / I remenber you / Michael row the boat ashore / This diamond ring / You're my world (Il mio mondo) / Spooky / Anyone who had a heart / Hi ho silver lining / I like it / Do wah diddy diddy / Apache / Let it be me / To know you is to love you / Barbara Ann / Hippy hippy shake / High time / Poor me / Where do you go to my lovely / I'm into something good / Got to get you into my life / Someone else's baby / A little loving / If you gotta make a fool of somebody / It must be him / Little children / Ferry cross the Mersey / Mony mony / Shakin' all over / Queen for tonigt / Bang bang (My baby shot me down) / A world without love / Wonderful land / Pretty flamingo / California girls / Like strangers / Games people play / House of the rising sun / Excerpt from a teenage opera…”

Tabla de Contenidos: “…EN CINCO PIEZAS DEL EXILIO CUBANO -- LA PUESTA EN ESCENA EN EL EXILIO -- ¿EL ARTISTA COMO SUCEDÁNEO? ÓPERA CIEGA, DE VÍCTOR VARELA -- EL NEGRO: IMAGEN Y PRESENCIA EN EL TEATRO CUBANO CONTEMPORÁNEO -- PRESENCIA NEGRA EN EL TEATRO CUBANO DE LA DIÁSPORA -- EL TEATRO VERNÁCULO: TRAYECTORIA DE LA CUBANIDAD -- LA OTRA ORILLA DEL CÍRCULO: TEATRO VERNÁCULO CUBANO EN MIAMI -- LA MUJER EN EL TEATRO CUBANO: ¿UNA AUSENCIA? …”
Acceso restringido con credenciales UPSA

Tabla de Contenidos: “…La música en la era de Metternich -- CAPÍTULO 4. La industria de la ópera -- CAPÍTULO 5. La búsqueda de una mayor importancia para la música en la cultura y en lasociedad -- CAPÍTULO 6. …”

Tabla de Contenidos: “…Estructura de las computadoras; Bloque 1 Operas las funciones básicas del sistema operativo y garantizas la seguridad de la información; 1.1 Computadora; 1.2 Sistema operativo; 1.3 Seguridad de la información…”

Tabla de Contenidos: “…Nápoles -- CAPÍTULO 4. La ópera de Carnaval en Roma y Venecia -- CAPÍTULO 5. …”

Tabla de Contenidos: “…El teatre de la mort de Tadeusz KantorBob Wilson i l'esclat del teatre visual; La renovació de l'òpera; La renovació del musical anglosaxó; Un cas català: Dagoll-Dagom; Les 'troupes' urbanes a Europa; El retorn del text dramàtic; Entre L'artesania I L'electrònica; L'impacte de les noves tecnologies; El fenomen del nou circ; Els ballarins també parlen; Lépage i el xoc entre cultures; Bibliografia…”

Tabla de Contenidos: “…Frontmatter -- Indice -- Introduzione -- Luoghi e voci di confine -- Identità e confini -- Tra Ponente e Levante -- Scipio Slataper tra sloveni e croati -- Le lettere dalla prigionia di Stanko Vuk -- Personaggi e destino di frontiera in Fulvio Tomizza -- Frontiera e convivenza nell’opera di Fulvio Tomizza -- Storie di confine -- Scrittori zaratini in lingua italiana nella seconda metà dell’Ottocento e nella prima metà del Novecento -- Autori di confine e i paradigmi culturali nazionali -- Circolazione di libri, temi e motivi -- Alberto Fortis e la Carniola settecentesca -- La finis Austriae e gli ultimi racconti sveviani -- Frontiere di culture, frontiere dell’aldilà -- Altre identità: plurime, ricostruite, diverse -- Una diversa identità: Carlo Michelstaedter -- Il superamento dei confini linguistici e culturali -- Ana Cecilia Prenz Kopušar, «un’argentina italiana nata a Belgrado» -- Commistioni e sconfinamenti di genere -- Voci, generi e spazi ibridi: La frontiera rovesciata di Francesco Burdin -- Il giallo con il gusto del gioco -- Sconfinamenti -- Il Mediterraneo, l’eterotopia e Porco rosso di Hayao Miyazaki -- Indice dei nomi…”

Tabla de Contenidos: “…IL NUOVO MEDIOEVO -- 3. L'OPERA DELLA CHIESA E LA CITTÀ RINNOVATA -- 4. LE ARISTOCRAZIE FEUDALI E SIGNORILI -- 5. …”

Tabla de Contenidos: “…Gender Riddles and Fools’ Play in the Italian Renaissance Comedy Gl’Ingannati (1532) / 3 The Accademia degli Alterati and the Invention of a New Form of Dramatic Experience: Myth, Allegory, and Theory in Jacopo Peri’s and Ottavio Rinuccini’s Euridice (1600) / 4 Il favore degli dei (1690): Meta-Opera and Metamorphoses at the Farnese Court / 5 Entertainment for Melancholics: The Public and the Public Stage in Carlo Gozzi’s L’Amore delle tre melarance / 6 Pierre Nicole, Jean-Baptiste Dubos, and the Psychological Experience of Theatrical Performance in Early Modern France / 7 The Catharsis of Prosecution: Royal Violence, Poetic Justice, and Public Emotion in the Russian Hamlet (1748) / 8 The Politics of Tragedy in the Dutch Republic: Joachim Oudaen’s Martyr Drama in Context / 9 Devils On and Off Stage: Shifting Effects of Fear and Laughter in Late Medieval and Early Modern German Urban Theatre / 10 Imagining the Audience in Eighteenth-Century Folk Theatre in Tyrol / 11 Nô within Walls and Beyond: Theatre as Cultural Capital in Edo Japan (1603–1868) / Index…”

Tabla de Contenidos: “…Athansius quae nunc primum "collecta" publicantur Præfatio in Universa S. Athanasi Opera Veterum Athanasii Editorum Præliminaria In Vitam Sancti Athanasii Monitum Vita Sancti Athanasii Archiepiscopi Alexandrini Animadversiones in Vitam et Scripta S. …”
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Tabla de Contenidos: “…Cyrilli Catecheses Procatechesis Monitum ad primam catechesim Catechesis I-XXIII Admonitio ad homiliam sequentem Homilia in paralyticum juxta piscinam jacentem Monitum ad sequentem epistolam Epistola ad Constantium Imperatorem De signa lucidæ crucis Hierosolymis viso Testimonia veterum de signo crucis Hierosolymis Fragmenta Opera S. Cyrillo Suppposita Admonitio ad homiliam sequentem Homilia incerti auctoris in occursum Domini Fragmentum Chronologia S. …”
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Tabla de Contenidos: “…Anastasii Martyris Senariorum Fragmenta Index ad Ducantii præfationem in Chronicon paschale Index ad Chronicon paschale Index verborum mixobarbarorum Chronici Paschalis Index analycticus ad opera Gerogii Pisidæ Index Græcus ad bellem Avaricum, Heracliadem et Expeditionem Persieam Georgii Pisidæ…”
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Tabla de Contenidos: “…I've seen this one before : the construction of "classic TV" on cable television / Derek Kompare -- Selling soap : post-war television soap opera and the American housewife / Kristen Hatch -- Study of a mad housewife : psychiatric discourse, the suburban home and the case of Gracie Allen / Allison McCracken -- Lessons from Uncle Miltie : ethnic masculinity and early television's vaudeo star / Susan Murray -- Nothin' could be finah : the Dinah Shore Chevy Show / Lola Clare Bratten -- Re-made for television : Hedy Lamarr's post-war star textuality / Diane Negra -- Maureen O'Hara's "confidential" life : recycling stars through gossip and moral biography / Mary Desjardins -- Matinee Theater : difference, compromise and the 1950s daytime audience / Matthew Murray -- The BBC and the birth of The Wednesday Play, 1962-66 : institutional containment versus "agitational contemporaneity" / Madeleine MacMurraugh-Kavanagh -- Mystery and Imagination : anatomy of a gothic anthology series / Helen Wheatley -- Exploiting the intimate screen : The Quartermass Experiment, fantasy and the aesthetic potential of early television drama / Catherine Johnson -- This Week in 1956 : the introduction of current affairs on ITV / Victoria Wegg-Prosser -- Women at work : popular drama on British television c1955-60 / Janet Thumim -- Cracking open the set : television repair and tinkering with gender 1949-1955 / Lisa Parks…”