Exemplar digitalitzat NLI.

Accés lliure

“…This ideological maneuver can appear in different guises: demonizing discourses, in which the 9/11 terrorists are represented as quintessentially “evil” or the vivid image of irrationality and hatred; generalizing discourses, in which a new identity label that emerged after 9/11 – a religious, racial, and ethnical mix merely based on physical appearance and conformed by Muslims, Arabs, Middle Easterners, and whoever “looks like” them – is turned into the constructed “evil” object of both suspicion and retaliation; and finally, “hystoerical” contextualizations of the event, which, obsessed with memorializing the 9/11 date, have reformulated contemporary history in Dickensian terms such as “everything has changed, nothing has changed” while neglecting to specify “for whom” it has changed, and more importantly, “for whom it has not.” This book analyzes how some US works of fiction – novels, films, TV series, short stories, and comics – have rewritten the historical event of 9/11 under the limitations imposed by ideological dictates…”
Texto completo en Odilo

“….), the anonymous chronicler of 1234 (XII-XIII cent.) and Agapius of Mabbug (X cent.) has led the author of this book to reconsider the theory of the "circuit of Theophilos of Edessa" and to look with new eyes at the whole question of the writing of history in Greek, Syriac and Arabic during the first two centuries after the Islamic conquests. …”

“…Al-Andalus, telle est l'expression qui désigna très tôt, sous la plume des auteurs arabes, les territoires de l'Espagne soumis à la domination musulmane. …”