Handbook of new religions and cultural production
| Otros Autores: | , |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Leiden :
BRILL
2012.
|
| Colección: | Brill handbooks on contemporary religion ;
v. 4. |
| Materias: | |
| Acceso en línea: | Click para texto completo desde fuera UPSA Click para texto completo desde UPSA |
| Ver en Biblioteca de la Universidad Pontificia de Salamanca: | https://koha.upsa.es/cgi-bin/koha/opac-detail.pl?biblionumber=326321 |
Solicitar por préstamo interbibliotecario:
Correo
| Formulario
Tabla de Contenidos:
- Acknowledgements; Contributors; List of Illustrations; Introduction; Part One The Church of Jesus Christ of Latter-Day Saints; "Build a House to My Name": The Idea of the Temple in Mormon History; Mormon Science Fiction: Tales of Interstellar Exodus and Perfection; Knock Knocking on Heaven's Door: Humour and Religion in Mormon Comedy; Part Two The Theosophical Society; Producing Lost Civilisations: Theosophical Concepts in Literature, Visual Media and Popular Culture; The Agency of the Object: Leadbeater and the Pectoral Cross.
- Theosophical Bodies: Colour, Shape and Emotion from Modern Aesthetics to Healing TherapiesPart Three Anthroposophy; "And the Building Becomes Man": Meaning and Aesthetics in Rudolf Steiner's Goetheanum; The Anthroposophical Movement and the Waldorf Educational System; Cosmic Flavour, Spiritual Nutrition?: The Biodynamic Agricultural Method and the Legacy of Rudolf Steiner's Anthroposophy in Viticulture; Part Four The Gurdjieff Work; Gurdjieff and the Legomonism of 'Objective Reason'; G.I. Gurdjieff's Piano Music and its Application In and Outside 'the Work'
- Gurdjieff's Sacred Dances and MovementsFrom Ouspensky's 'Hobby' to Groundhog Day: The Production and Adaptation of Strange Life of Ivan Osokin; Part Five Modern Paganism; Paganism-Inspired Folk Music, Folk Music-Inspired Paganism and New Cultural Fusions in Lithuania and Latvia; Bardic Chairs and the Emergent Performance Practices of Paganism; Making the Donkey Visible: Discordianism in the Works of Robert Anton Wilson; Part Six Afro-Caribbean New Religions; 'When the Gods give us the Power of Ashe': Caribbean Religions as the Source for Creative Energy.
- Candomblé and the Brazilians: The Impact of Art on a Religion's Success StoryIdentity, Subversion, and Reconstruction 'Riddims': Reggae as Cultural Expressions of Rastafarian Theology; Part Seven New Religious Techniques And Technologies; Dancing at the Crossroads of Consciousness: Techno-Mysticism, Visionary Arts and Portugal's Boom Festival; Metal and Magic: The Intricate Relation Between the Metal Band Therion and the Magic Order Dragon Rouge; Battlefield Earth and Scientology: A Cultural/Religious Industry à la Frankfurt School?; Part Eight New Universal Religions.
- The Bahá'í House of Worship: Localisation and Universal FormConstructing the Cornucopia That Is Caodaism: Themes of Cultural Production in an Increasingly Acephalous Milieu; The Cultural Products of Global Sufism; Food Practices, Culture, and Social Dynamics in the Hare Krishna Movement; Part Nine Modern Christian Offshoots; The Manifestation of Queer Theology: The Act of "Promulgating Universal Joy and Expiating Stigmatic Guilt" Through the (Re)Inscription of Rituals, Artefacts, Devotional Practices and Place.
