Emerging naturalism contexts and narratives in European sculpture 1140-1220
For decades specialists in the history of Romanesque art questioned the usefulness of traditional stylistic terminology. It has been regarded as being of limited relevance insofar as it fails to reflect the complexity and plurality of the times and events that it refers to. Neither is it useful for...
| Otros Autores: | , , |
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| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
Turnhout, Belgium :
Brepols
[2020]
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| Materias: | |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991011465035408016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- Emerging naturalism and a new medieval morphology / Herbert L. Kessler
- I
- Shaping late Romanesque sculpture, balance and perspective
- The attainment of a compelling naturalism in sculpture c. 1200 / Gerardo Boto Varela
- What is so-called late Romanesque sculpture? / Xavier Barral I Altet
- II
- Late Romanesque/Early Gothic sculpture in European cathedrals (1140-1220)
- The role of Burgundy in the development of the first column-statues / Marcello Angheben
- Late Romanesque sculpture and the cathedrals of South-Western France / Quitterie Cazes
- An enigma put aside. The origin and interpretation of a decontextualized capital from Saint Trophime at Arles / Juan Antonio Olañeta
- Around and after 1200. Old and new concepts of monumental sculpture in the German territories of the Holy Roman Empire / Claudia Rückert
- Sculpture and liturgy: monuments and art histories of Southern Italy (c. 1150-1250 and beyond) / Elisabetta Scirocco
- Old Testament sacrifice and thirteenth-century tithe: Cain and Abel in the architectural sculpture of the Holy Roman Empire / Stephanie Luther
- Late Romanesque sculpture in England. How far can the evidence take us? / John McNeill
- The Gothic last judgment portal c. 1210. Visual strategies and communicative function / Bruno Boerner
- Aesthetics and the imitation of antiquity in early Gothic sculpture / Laurence Terrier Aliferis
- III
- Sculptural visualisations in the cathedrals of the Iberian kingdoms (1160-1220)
- The reception of Burgundian models in the second half of the twelfth century and the naturalist redefinition of Romanesque sculpture in Castile / Marta Poza Yagüe
- Master Mateo and the Cathedral of Santiago at the end of the twelfth century / Ramón Yzquierdo Peiró
- Late Romanesque sculpture in the kingdoms of Leon and Castile: continuity or change? / José Luis Hernando, Antonio Ledesma
- Romanesque sculpture in Portuguese cathedrals: models, continuity, and adaptation / Carla Varela Fernandes, Paulo Almeida Fernandes
- The meaning of the Romanesque sculpture in the Cámara Santa at the Cathedral of Oviedo / César García de Castro Valdés
- Images and stories: the transformation of space in the cathedrals of Ebro Valley / Esther Lozano López
- The vault corbels in the cloister of Tarragona Cathedral: shaping a new pictorial corporeality that goes beyond late Romanesque / Gerardo Boto Varela, Marta Serrano Coll
- About the authors
- Index of names
- Index of places
- Colour plates
