Fraternité avant tout Asger Jorn's writings on art and architecture, 1938-1957
"The Danish artist Asger Jorn is primarily known as a painter who was active in the Høst, Cobra and the Situationist International groups. The numerous leaflets, exhibition catalogues, interviews, articles and books he wrote throughout his entire career attest to his vast literary output and hi...
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| Otros Autores: | , |
| Formato: | Libro |
| Idioma: | Inglés |
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Rotterdam :
010 Publ
2011
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| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991010703119708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- New painting, new architecture (1938)On the artistic potential inherent within architecture (1943)
- Architecture is not art (1943)
- Face to face (1944)
- Notes on the way (1945)
- The living essence of the language of form (1946)
- A new form of visual interpretation and its implications (1946)
- Yin/yang (1947)
- Homes for the people or concrete castles in the air (1947)
- Apollo or Dionysus (1947)
- Dreams and reality (1948-1949)
- Urban society or village community (1948)
- What is an ornament? (1948)
- A crooked bough (1949)
- Façade art--towards a new architecture (1950)
- The true spirit of poetry (1951)
- Naturalistic architecture-or natural form (1952)
- The inherent potential of mural painting (1952)
- Image and form (1954)
- Against functionalism (1957)
- Form and structure (1956)
- The situationists and automation (1958).
- New painting, new architecture (1938)
- On the artistic potential inherent within architecture (1943)
- Architecture is not art (1943)
- Face to face (1944)
- Notes on the way (1945)
- The living essence of the language of form (1946)
- A new form of visual interpretation and its implications (1946)
- Yin/yang (1947)
- Homes for the people or concrete castles in the air (1947)
- Apollo or Dionysus (1947)
- Dreams and reality (1948-1949)
- Urban society or village community (1948)
- What is an ornament? (1948)
- A crooked bough (1949)
- Façade art--towards a new architecture (1950)
- The true spirit of poetry (1951)
- Naturalistic architecture-or natural form (1952)
- The inherent potential of mural painting (1952)
- Image and form (1954)
- Against functionalism (1957)
- Form and structure (1956)
- The situationists and automation (1958).
