Thinking images the essay film as a dialogic form in European cinema
| Autor principal: | |
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| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
Oxford :
Peter Lang
2012
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| Colección: | New studies in European cinema ;
3 |
| Materias: | |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991010639659708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- Introduction : the thinking form
- Questions and answers: towards a dialogical understanding of the essay film
- Essayistic filmmaking as a non-fictional practice: self-reflexivity and heteroglossia in Harun Farocki's Workers leaving the factory, José Luis Guerín's Train of shadows and Chris Marker's Sunless
- Beyond the 'I': subjectivity and dialogical authorship in Chris Marker's Level 5
- Unfinalizability, addressivity and tact: Harun Farocki's Videograms of a revolution
- Interpellation, active spectatorship and the returned gaze: José Luis Guerín's In the city of Sylvia
- Mapping the origins of an essayistic sensibility in five films
- Conclusion.
