Comics a global history, 1968 to the present
A history of comics around the world from the late 1960s to the present day. Comics, manga, bandes dessinées, fumetti, tebeo, historietas... no matter the name, they have been a powerful medium across four continents for decades. Examples from all over the world include everything from Crumb and Kir...
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| Formato: | Libro |
| Idioma: | Inglés |
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New York :
Thames & Hudson
cop. 2014
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| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991010190849708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- 1968-1978. The undergrounds and after: Robert Crumb
- Underground diversity
- The end?
- The post-underground and nonfiction comics
- American mainstream comics. Dawn of the 1970s: The superhero trap
- Breaking the mold: Neal Adams
- Striving for creative freedom: Kirby's free reign
- Toward the graphic novel: Gil Kane's "pictorial fiction"
- American mainstream comics: A new generation. The brash traditionalists: Old sources, new attitudes
- Ground-level comics: Where mainstream and underground meet
- Mainstream manga. Shōnen manga
- Seinen manga
- Shōjo manga
- Garo and alternative manga. Garo and Watakushi manga
- Tezuka
- L'age adulte in bande dessinée and other European comics. L'age adulte: Pilote and comics scholarship
- Fantasy and formal play
- Fumetti d'autore
- The Argentinian connection
- The new European publishing. L'écho des savanes
- Moebius, science fiction and screaming metal
- European and British undergrounds
- People of the book: Futuropolis
- Comics as high art: Outliers and harbingers
- 1978-1990. À suivre and the wild invasion. Bande dessinée romanesque: Literary models and tranches de la vie
- Cerebral absurdism and whimsical noir
- Nouveau réalisme
- The return of Ligne Claire: "La fin de la Bande dessinée adulte"
- New trends in Italian and Spanish comics. Italy: The new adult fumetti
- Spain: Linea chunga and neotebeo
- Mainstream rebels in the U.S. and U.K.: 2000 AD and the rebirth of science fiction
- From Chris Claremont to Frank Miller: Longer stories, darker themes
- The British invasion, first wave
- The dawn of the graphic novel, the Raw generation and punk comix. Dawn of the graphic novel
- Raw and the new alternative comics
- Subversive self-publishers and newave mini comix
- Alternative newspaper comics
- The growth of realism in manga. Dystopian stories, realistic imagery
- Taboo love, adult romance and the birth of Josei
- Alternative manga: Garo 1978-1990
- 1990 onward. American mainstream comics in the 1990s. The Sandman and the birth of Vertigo
- Alternative interprets mainstream
- Superstar artists and the speculator boom
- Challengers for the mainstream: Dark Horse and Image
- Decompressed comics, stylized nostalgia and cinematic aspirations
- American alternative comics of the 1990s. Self-publishing and the black-and-white boom
- Nineties alternatives: Autobiography and melancholy nostalgia
- Fort Thunder, Highwater Books and the comic as art object
- European comics in the 1990s. Strapazin and the German-Swiss avant garde
- Mainstream Bande desinée: Bright points in a monotone landscape
- Alternative and avant-garde Bande desinée: L'association
- Similar ventures across the continent
- The quest for "respectable" manga. An increased creative role for editors
- Resurgence and reinvention in flagging genres
- The last days of Garo
- Comics in the twenty-first century: An international art form. Commercial alternative and international cross-pollination
- A brief history of Korean manhwa
- La nouvelle bande desinée
- Coconino Press and Italian alternative comics
- Cartoony minimalism and the "big head" revival
- New forms, new technologies, new audiences. The decline of serialization and the birth of the graphic novel movement
- True (and nearly true) stories
- A golden age of young-adult graphic novels
- Democratized distribution: Webcomics.
