Speaking truths with film evidence, ethics, politics in documentary
| Otros Autores: | |
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| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
Berkeley :
University of California Press
cop. 2016
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| Materias: | |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991009373539708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- Introduction
- Part I: Documentary meets the neighbors: the avant-garde and fiction film. Documentary film and the modernist avant-garde
- Documentary reenactment and the fantasmatic subject
- Further reflections: Experimental documentary. Letter to Lynn Sachs on Investigation of a flame
- Breaking the frame: gender, violation and the avant-garde
- Part II: The audio in audiovisual. Documentary film and the coming of sound
- To see the world anew : revisiting the voice of documentary
- Further reflections: Music in documentary. The sound of music
- Part III: Beyond "just the facts": evidence, interpretation, and social context. The question of evidence: the power of rhetoric and the documentary film
- The terrorist event
- Further reflections: The many forms of evidence. Remaking history: Jay Leyda, and the compilation film
- Restrepo: a case of inadvertent evidence
- The symptomatic biopic: Steve Jobs: the man in the machine
- Part IV: Ethics and irony in documentary. Documentary ethics: doing the right thing
- Irony, paradox and the documentary: double meanings and double binds
- Further reflections: Notes on trauma. Letter to Errol Morris: feelings of revulsion and the limits of academic discourse
- Perpetrators, trauma and film
- Part V: Politics and the documentary film. San Francisco newsreel: collectives, politics, films
- The political documentary and the problem of impact.
