Street with no name a history of the classic American film noir
| Autor principal: | |
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| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
Lexington, Ky. :
University Press of Kentucky
2002
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| Materias: | |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991008946409708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- To name the thing : film noir as style, as genre
- German expressionism and the roots of the film noir
- Fritz Lang
- Robert Siodmak
- The inception of the film noir in the French cinema of the 1930s
- The film noir in France in the immediate postwar years
- 1. The noir in America
- The noir city
- Archetypes- protagonists
- Abraham Polonsky
- Jules Dassin
- Nicholas Ray
- Orson Welles
- 2. The hard-boiled fiction influence
- Cornell Woolrich
- The private detective
- Humphrey Bogart, Spade, Marlowe, and the film noir
- The gangster figure and the noir
- John Huston
- Violence in the noir
- Samuel Fuller
- Robert Aldrich
- Don Siegel
- Sexuality in the noir
- Families in the noir
- Joseph H. Lewis
- 3. Women as seen in the film noir
- Otto Preminger
- 4. Noir production
- Noir iconography
- The use of voice-over narration
- The flashback device
- Amnesia as a storytelling device
- The B noir production
- Documentary realism in the noir
- Critical and popular reception of the film noir
- HUAC and the blacklist
- Fight pictures
- Caper films
- Crime syndicate exposés
- The Kefauver Crime hearings
- Anthony Mann
- Phil Karlson
- 5. The noir influence on the French new wave
- Jean-Pierre Melville
- Epilogue : Comments on the classic film noir and the neo-noir.
