The theatre of naturalism disappearing act
| Autor principal: | |
|---|---|
| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
New York :
Peter Lang
cop. 2011
|
| Colección: | Currents in comparative Romance languages and literatures ;
185 |
| Materias: | |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991008901359708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- Introduction : ushering in the spectacle
- The mirror stage : Thérèse Raquin (Zola)
- The return of the repressed : Ghosts (Ibsen)
- The nature of the beast : The power of darkness (Tolstoy)
- The dialectic of the master and the slave : Miss Julie (Strindberg)
- The war between the classes : The weavers (Hauptmann)
- In the country of the blind : The lower depths (Gorky)
- A living like any other : Mrs. Warren's profession (Shaw)
- A naturalist symbolism : Riders to the sea (Synge)
- Living history : Chicken soup with barley (Wesker)
- Living theatre : The brig (Brown)
- "Like a neutron bomb of the mind" : a digression on Bernard Stiegler
- On the side of the object : The contractor, The changing room (Storey)
