Performance, Memory, and Processions in Ancient Rome the "Pompa Circensis" from the late Republic to late Antiquity

The pompa circensis, the procession which preceded the chariot races in the arena, was both a prominent political pageant and a hallowed religious ritual. Traversing a landscape of memory, the procession wove together spaces and institutions, monuments and performers, gods and humans into an image o...

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Detalles Bibliográficos
Otros Autores: Latham, Jacob A., 1974- autor (autor)
Formato: Libro
Idioma:Inglés
Publicado: New York, NY : Cambridge University Press 2016
Materias:
Ver en Universidad de Navarra:https://unika.unav.edu/discovery/fulldisplay?docid=alma991008308549708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es
Tabla de Contenidos:
  • Part I. An Ideal-type between the Republic and Memories of the Republic Pompa hominum: gravity and levity, resonance and wonder, ritual failure Pompa deorum: performing theology, performing the gods Iter pompae circensis: memory, resonance, the image of the city Part II. The Pompa Circensis from Julius Caesar to Late Antiquity 'Honors greater than human': Imperial cult and the pompa circensis Behind 'the Veil of power': ritual failure, ordinary humans, and Ludic processions during the High Empire The pompa circensis in Late Antiquity: imperialization, Christianization, restoration