Leaving Springfield the Simpsons and the possibility of oppositional culture
| Otros Autores: | |
|---|---|
| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
Detroit, Mich. :
Wayne State University Press
c2004
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| Colección: | Contemporary approaches to film and television series
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| Materias: | |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991007787929708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- "Use a pen, Sideshow Bob": The Simpsons and the threat of high culture / David L.G. Arnold
- Commodity culture and its discontents: Mr. Bennett, Bart Simpson, and the rhetoric of modernism / Kurt M. Koenigsberger
- The Simpsons and Hanna-Barbera's animation legacy / Megan Mullen
- Countercultural literacy: learning irony with The Simpsons / Kevin J.H. Dettmar
- Homer erectus: Homer Simpson as everyman ... and every woman / Valerie Weilunn Chow
- Who wants candy? Disenchantment in The Simpsons / Robert Sloane
- Myth or consequences: ideological fault lines in The Simpsons / Vincent Brook
- "So television's responsible!": oppositionality and the interpretive logic of satire and censorship in The Simpsons and South Park / William J. Savage, Jr.
- Looking for Amanda Hugginkiss: gay life on The Simpsons / Matthew Henry
- Releasing the hounds: The Simpsons as anti-nuclear satire / Mick Broderick
- Local satire with a global reach: ethnic stereotyping and cross-cultural conflicts in The Simpsons / Duncan Stuart Beard
- Bart Simpson: prince of irreverence / Douglass Rushkoff.
