A philosophy of the screenplay
| Autor principal: | |
|---|---|
| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
New York :
Routledge
2016
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| Colección: | Routledge studies in contemporary philosophy ;
49 |
| Materias: | |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991007579099708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- Definition. What is a screenplay? An intentional-historical formalist definition
- Defending the definition : intentionality, history, and artifact concepts
- Art status. The historical narrative approach to identifying art : exegesis and defense
- From playwriting to screenwriting : the historical narrative
- Ontology. Objections and ontology I : is the screenplay an autonomous work of art?
- Instructions and artworks : musical scores, theatrical scripts, architectural plans, and screenplays
- Objections and ontology II : is the screenplay literature?
- Towards an ontology of the screenplay
- Appreciation. The appreciation of the screenplay as literature.
