Russian literary culture in the camera age the word as image
| Autor principal: | |
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| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
London ; New York :
RoutledgeCurzon
2004
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| Colección: | BASEES/RoutledgeCurzon series on Russian and East European studies ;
14 |
| Materias: | |
| Acceso en línea: | Sumario Publisher description |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991007231249708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- Russian realism and the camera : out from under Gogol's 'portrait'
- Objectivity, alienation and the fragmentation of the subject : the camera as midwife to modernity
- Photographic eye as poetic I : dialogues of text and image in Maiakovskii's and Rodchenko's Pro eto project
- The Stalinist ekranizatsiia as embodied word
- Shooting the canon : ekranizatsii and the (de)centring of Stalinist culture
- Metatextuality in the post-Stalinist ekranizatsiia : the official sphere unravels
- Hamlet with a guitar : the autobiographical persona of Vladimir Vysotskii as an intermedia phenomenon
- Literature as translation mechanism in post-Soviet televisual representations of Westernness
- In place of a conclusion : television, the end of literature and Pelevin's generation 'P'.
