Stage fright politics and the performing arts in late Imperial Russia
"Explores the relationship between culture and power in Imperial Russia. Argues that Russia's performing arts were part of a vibrant public culture that was usually ambivalent or hostile to the tumultuous political events of the revolutionary era"--Provided by publisher.
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| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
University Park, PA :
Pennsylvania State University Press
c2009
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| Materias: | |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991006762309708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- "An aspiration to novelty" : contours of the performing arts in late Imperial russia
- "Such a risky time" : arts institutions and the challenge of politics
- "Politics are death" : Imperial theater performers
- "Our theater will not strike!" : private and popular theater performers
- "You dare not make sport of our nerves!" : the audiences
- "A new bayreuth will save no one" : Russian modernism and its discontents
- "Art must be apolitical" : a conclusion.
