Fashioning faces the portraitive mode in British romanticism
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | Inglés |
| Published: |
Durham, N.H. : Hanover [N.H.] :
University of New Hampshire Press ; University Press of New England
2009
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| Edition: | 1st ed |
| Series: | Becoming modern
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| Subjects: | |
| See on Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991006760199708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Table of Contents:
- Ch. 1. The portraitive mode. Wordsworth's self-portrait
- Taste, fashionable consumption, and congruence
- Heightened impressions : imagination, desire, and identity
- Ch. 2. Making faces. Legible bodies
- Seeing, consumption, and strategies of space
- Painted figures and Plutarch's heirs
- Reading reproduction
- Bodies in time
- Ch. 3. Consuming portraits. A new socius : Josiah Wedgwood and Rudolph Ackermann
- Miniatures : Richard Cosway and John Boydell
- Facing history
- Ch. 4. Practicing aesthetics. Aesthetics, taste, and the collection
- Collecting fetishes
- House museums
- Instituting the portrait
- Ch. 5. Living portraits. Reflexive staging, fashionability, and travel practice
- Mary Robinson, acting the self
- Byronic travel and the theater of the self
- Consumable subjects : Manfred, Sappho, and fame
