Space, time, and presence in the icon seeing the world with the eyes of God
| Autor principal: | |
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| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
Farnham (England) :
Ashgate
2009
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| Colección: | Ashgate studies in theology, imagination, and the arts
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| Materias: | |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991006298969708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- The role of time in pictorial art
- The role of time in the visual arts : seeing a picture in the twinkling of an eye
- The doctrine of the purity of art
- The problem of pictorial time in the icon : Florensky and remembering things that happened the week after next
- The problem of time in the pictorial arts Bakhtin's chronotope
- On reverse perspective : a critical reading
- Implications of the term reverse perspective : reverse of what?
- First stage : Florensky
- Second stage : Zhegin
- Third stage : Boris Uspensky
- An alternative view : Karl Doehlemann
- Registering presence in the icon
- The cult of images and Eastern Orthodox identity
- The western position : a critical reappraisal
- Icon and relic
- Real presence in the image
- Classical antique sources
- Christian sources : Byzantine theology of the image
- A modern view : the icon as symbol in Florensky's writings
- Seeing the world with the eyes of God : an alternative explanation of reverse perspective
- A new definition of reverse perspective as a prerequisite for the present hypothesis
- The cubist background
- The theosophical background
- Classical Greek sources on divine eternity
- Christian sources on divine eternity
- Theology through liturgy
- Theology through the arts
- The present hypothesis in context
- Leibniz and the way God sees things
- Schopenhauer and art as a repetition of eternity
- Worringer's eternalization of the object.
