Having a good cry effeminate feelings and pop-culture forms
| Autor principal: | |
|---|---|
| Formato: | Electrónico |
| Idioma: | Inglés |
| Publicado: |
Columbus :
Ohio State University Press
cop. 2003
|
| Colección: | The theory and interpretation of narrative series
Theory and interpretation of narrative series |
| Materias: | |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991005993009708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- Introduction: effeminacy, feelings, forms. Effeminacy: a third term for gender studies
- Feelings: how do you really feel?
- Forms: feminist narratology and close reading
- The cry: effeminate sentimentalism. Having a good cry
- Sentimentalism and sexism
- A narratology of good-cry techniques
- Crying over The color purple
- The cringe: marriage plots, effeminacy, and feminist ambivalence. Reading too closely for comfort
- Discomforts of reading Pretty woman
- The thrill and the yawn: antieffeminate structures of feeling in serial forms. Self-conscious serial forms
- Reading the (boring) Victorian serial
- Antieffeminate affect
- E-mail as an antieffeminate form
- Bending gender and the habits of affect
- The climax and the undertow: effeminate intensities in soap opera. Who is the "I" who watches soaps?
- Intensities and long-term viewing
- Effeminate feeling and soap form
- Afterword: the reader's body from the inside out.
