The emergence of film culture knowledge production, institution building and the fate of the Avant-Garde in Europe, 1919-1945
| Other Authors: | |
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| Format: | Book |
| Language: | Inglés |
| Published: |
New York :
Berghahn
cop. 2014
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| Series: | Film Europa : German cinema in an international context
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| Subjects: | |
| See on Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991005651699708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Table of Contents:
- Malte Hagener: Introduction
- Formations of knowledge. Tobias Nagl: Policing race: postcolonial critique, censorship and regulatory responses to the cinema in Weimar film culture
- Erica Carter: The visible woman in and against Bøla Baløzs
- Tom Gunning: Encounters in darkened rooms: alternative programming of the Dutch Filmliga, 1927-1931
- Natalya Ryabchikova: When was Soviet cinema born? the institututionalization of Soviet film studies and the problems of periodization
- Networks of exchange. Ian Christie: Eastern avatars: Russian influence on European avant-gardes
- Greg Decuir, Jr.: Early Yugoslav cinø-amateurism: cinøphilia and the institutionalization of film culture in the Kingdom of Yugoslavia during the interwar period
- Masha Salazkina: Soviet-Italian cinematic exchanges: transnational film education in the 1930s
- Yvonne Zimmermann: The avant-garde, education and marketing: the making of non-theatrical film culture in interwar Switzerland
- Emergence of institutions. Lars Gustaf Andersson: Interwar film culture in Sweden: avant-garde transactions in the emergent welfare state
- Francesco Pitassio, Simone Venturini: Building the institution: Luigi Chiarini and Italian film culture in the 1930s
- Duncan Petrie: A new art for a new society? the emergence and development of film schools in Europe
- Malte Hagener: Institutions of film culture: festivals and archives as network nodes
- Rolf Aurich: the German Reichsfilmarchiv in an international context.
