The persistence of Hollywood
| Autor principal: | |
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| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
New York ; London :
Routledge
2012
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| Materias: | |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991005642549708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- Flashback: of objects of love and objects of study. Film studies in Britain: cinephilia, screen theory and cultural studies
- The name for a pleasure that has no substitute: Vincente Minnelli
- All the lonely places: the heroes of Nicholas Ray
- Sam Fuller's productive pathologies: the hero as (his own best) enemy
- Cinephilia: or the uses of disenchantment
- Genius of the system. The persistence of Hollywood, Part I: the continuity principle
- Why Hollywood?
- Narrative cinema and audience aesthetics: the mise-en-scène of the spectator
- Film as system: or how to step through an open door
- Gangsters and grapefruits: the public enemy
- Studio and genre: auteurs maudits, mavericks and eminent Europeans.
- Transatlantic triangulations: William Dieterle and the Warner Bros biopics
- Welles and virtuosity: Citizen Kane as character-mask
- The dandy in Hitchcock
- Too big and too close: Alfred Hitchcock and Fritz Lang
- Robert Altman's Nashville: putting on the show
- Stanley Kubrick's prototypes: the author as world-maker
- Genie out of the bottle: the return of the system as auteur?
- The pathos of failure: notes on the unmotivated hero
- Auteur cinema and the new economy Hollywood
- The love that never dies: Francis Ford Coppola and Bram Stoker's Dracula
- The blockbuster as time machine
- Auteurism today: signature products, concept-authors and access for all: Avatar
- The persistence of Hollywood. Digital Hollywood: between truth, belief and trust
- The persistence of Hollywood, Part II: reflexivity, feedback and self-regulation
