Dada and surrealist film
| Otros Autores: | |
|---|---|
| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; London :
The MIT Press
1996
|
| Edición: | 1st ed |
| Materias: | |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991003024139708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- Part 1 Essays: Dada/cinema?, Thomas Elsaesser; Leger's ballet mecanique, Judi Freeman; anaemic vision in Duchamp - cinema as readymade, Dalia Judovitz; exploring the discursive field of the Surrealist scenario text, Richard Abel; Benjamin Fondane's "Scenarii Intournables", Peter Christensen; slit screen, David Wills; constellated visions - Robert Desnos's and Man Ray's "L'Etoile de Mer", Inez Hedges; the image and the spark - Dulac and Artaud reviewed, Sandy Flitterman-Lewis; Dali and "Un Chien Andalou" - the nature of a collaboration, Haim Finkelstein; "Un Chien Andalou" - the talking cure, Stuart Liebman; between the sign of the scorpion and the sign of the cross - "L'Age d'Or", Allen Weiss; documentary Surrealism - on "Land Without Bread", Tom Conley; the critical grasp - Bunuelian cinema and its critics, Linda Williams. Part 2 Documents: Robert Desnos's and Man Ray's scenario for "L'Etoile de Mer". Part 3 Bibliography on Dada and Surrealist film.
