Tempo and tactus in the German baroque treatises, scores, and the performance of organ music
Before the advent of the metronome ca. 1800, there was little in the way of a standardized, commonly accessible method for precisely communicating how fast musical compositions should be performed. Instead of absolute time (e.g., plottable on a metronome), Baroque musicians developed notational cues...
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| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
Rochester :
University of Rochester Press
2021
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| Edición: | First published 2021 |
| Colección: | Eastman studies in music,
178 |
| Materias: | |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991002773239708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
