American documentary filmmaking in the digital age depictions of war in Burns, Moore, and Morris
| Otros Autores: | |
|---|---|
| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
Abingdon, Oxfordshire ; New York, NY :
Routledge, Taylor & Francis Group
[2018]
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| Edición: | First issued in paperback 2018 |
| Colección: | Routledge advances in film studies ;
35 |
| Materias: | |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991002441649708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- The realist documentary tradition in the postmodern age. Introduction: the postmodern attack on historicism, nationalism, rationalism, and realism
- Realist documentary: who, what, when, where, why, and how?
- The demise of the academic critique of realism: phenomenological approaches in documentary studies scholarship
- Audiovisual historical narration in the age of digitization. The impact of digital technology on documentary filmmaking
- From "Nanook of the north" to social-networking websites: shaping historical consciousness in the digital age
- American documentary filmmaking in the postmodern age. Ken Burns: the master of consensus in the age of dissent
- Michael Moore: the subjective/objective dichotomy
- Errol Morris: "Interrotroning" the past for the present
- Conclusion: the demise of American realist documentary filmmaking in the digital age?
