Colonial counterpoint music in early modern Manila
The author reconnects the Philippines to current musicological discourse on the early modern Hispanic world. He uses the metaphors of counterpoint and enharmony to critique musical practices within the colonial milieu. The introduction and institutionalization of counterpoint acted as a powerful age...
| Main Author: | |
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| Format: | Book |
| Language: | Inglés |
| Published: |
New York :
Oxford University Press
2010
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| Series: | Currents in Latin American and Iberian music
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| Subjects: | |
| See on Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991001983789708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
| Summary: | The author reconnects the Philippines to current musicological discourse on the early modern Hispanic world. He uses the metaphors of counterpoint and enharmony to critique musical practices within the colonial milieu. The introduction and institutionalization of counterpoint acted as a powerful agent of colonialism. |
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| Physical Description: | X, 394 p. : il. ; 25 cm |
| Bibliography: | Incluye referencias bibliográficas (p. [337]-367) e índice |
| ISBN: | 9780195378269 |
