Colonial counterpoint music in early modern Manila
The author reconnects the Philippines to current musicological discourse on the early modern Hispanic world. He uses the metaphors of counterpoint and enharmony to critique musical practices within the colonial milieu. The introduction and institutionalization of counterpoint acted as a powerful age...
| Autor principal: | |
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| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
New York :
Oxford University Press
2010
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| Colección: | Currents in Latin American and Iberian music
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| Materias: | |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991001983789708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- Colonial capital, global city
- Musical transactions and intercultural exchange
- Mapping musical cultures
- The hispanization of Filipino music
- Courtship and syncretism in colonial genres
- Cathedrals, convents, churches, and chapels
- Regulations, reforms, and controversies
- Fiesta filipina
- Contrapuntal colonialism.
