New essays on performance practice
| Autor principal: | |
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| Formato: | Libro |
| Idioma: | Inglés |
| Publicado: |
Rochester, N.Y ; Woodbridge, Suffolk :
University of Rochester Press
1992
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| Materias: | |
| Ver en Universidad de Navarra: | https://unika.unav.edu/discovery/fulldisplay?docid=alma991001013179708016&context=L&vid=34UNAV_INST:VU1&search_scope=34UNAV_TODO&tab=34UNAV_TODO&lang=es |
Tabla de Contenidos:
- Part 1 Introduction: the rise of the Early Music movement; some controversial aspects of the authenticity school. Part 2 Problems of rhythm: conflicting binarty and ternary rhythms - from the theory of mensural notation to the music of J.S. Bach; the "Notes Inegales" revisited; Graham Pont's "paradigm of inconsistency" and the interpretation of Handel's Overtures; the rhythm in "Behold the Lamb of God". Part 3 Problems of ornamentation: remarks on Haydn's ornaments; more of Haydn's ornaments and the evidence of musical clocks; interpretation problems of ornament symbols and two recent case histories - Hans Klotz on Bach, Faye Ferguson on Mozart; some problems of Mozart ornamentation - a response to Robert Levin; authenticity and the vocal vibrato; ornamentation in the bassoon music of Vivaldi and Mozart. Part 4 Varia: Bach - progressive or conservative and the authorship of the Goldberg Aria; Mattheson on performance practice; notes on the violin sonatas of Bach and Handel. Part 5 Book reviews: Peter Brown - "Performing Haydn's "Creation""; Anthony Newman - "Bach and the Baroque"; Raymond H. Haggh - Translation of Tuerk's "Klavierschule".
