Musical theatre, realism and entertainment
| Main Author: | |
|---|---|
| Format: | eBook |
| Language: | Inglés |
| Published: |
Farnham, England ; Burlington Vt. :
Ashgate
c2012.
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| Series: | Ashgate interdisciplinary studies in opera.
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| Subjects: | |
| Online Access: | https://recursos.uloyola.es/login?url=https://accedys.uloyola.es:8443/accedix0/sitios/ebook.php?id=161415 |
| See on Universidad Loyola - Universidad Loyola Granada: | https://colectivo.uloyola.es/Record/ELB161415 |
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Table of Contents:
- Musical characterisation in HMS Pinafore and the Rocky horror show
- Encoding the voice : Show boat, Guys and dolls, and musical theatre post-1960
- Integration and distance in musical theatre : the case of Sweeney Todd
- Layers of representation and the creation of irony : Aufstieg und Fall der Stadt Mahagonny, Merrily we roll along and The last 5 years
- Alternatives to linearity : Cabaret, Kiss of the spider woman and Assassins
- Illusions of realism in West Side story and actor-musician performances
- Experiencing live musical theatre performance : La Cage aux Folles and Priscilla, queen of the desert
- I've heard that song before : the jukebox musical and entertainment in Jersey boys, Rock of ages, Mamma mia and We will rock you.
