Mermaids and the production of knowledge in early modern England
"We no longer ascribe the term 'mermaid' to those we deem sexually or economically threatening; we do not ubiquitously use the mermaid's image in political propaganda or feature her within our houses of worship; perhaps most notably, we do not entertain the possibility of the mer...
| Otros Autores: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Farnham, Surrey, England :
Ashgate Publishing Limited ; Burlington, Vermont : Ashgate Publishing Company
[2015]
|
| Materias: | |
| Acceso en línea: | https://recursos.uloyola.es/login?url=https://accedys.uloyola.es:8443/accedix0/sitios/ebook.php?id=161381 |
| Ver en Universidad Loyola - Universidad Loyola Granada: | https://colectivo.uloyola.es/Record/ELB161381 |
Solicitar por préstamo interbibliotecario:
Correo
Tabla de Contenidos:
- Introduction
- Identifying mermaids: economies of representation in Dekker and Middleton's The roaring girl
- "We shall discover our selves": practicing the mermaid's law in Margaret Cavendish's The convent of pleasure
- Perfect pictures: the mermaid's half-theater and the anti-theatrical debates in Book III of Spenser's The faerie queene
- Reading like a mermaid: Antony and Cleopatra's (un)mysterious history and the case of the disappearing snake
- Afterword: "drown'd O, where?": the mermaid and the map in Shakespeare's Hamlet.
