B-sides, undercurrents and overtones peripheries to popular in music, 1960 to the present
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Farnham, England ; Burlington, VT :
Ashgate
c2009.
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| Colección: | Ashgate popular and folk music series.
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| Materias: | |
| Acceso en línea: | https://recursos.uloyola.es/login?url=https://accedys.uloyola.es:8443/accedix0/sitios/ebook.php?id=158678 |
| Ver en Universidad Loyola - Universidad Loyola Granada: | https://colectivo.uloyola.es/Record/ELB158678 |
Solicitar por préstamo interbibliotecario:
Correo
Tabla de Contenidos:
- Get your 45s on : Terry Melcher, lost in the surf and sun of the 1960s sound waves
- How the midwest was won : the Chicago suburbs seven, a mid 1960s regional rotation
- Covering outside the lines : Hans Fenger and the Langley Schools music project
- Geffen Records v. Neil Young : the battle of the brands
- Music and movie mutuality : Ry Cooder, the involved bystander
- World music missionaries : cross culture convergences
- The vital visual voice of the videotape editor : seamlessly sculpting Graceland : the African concert
- Rock around the cop : Bochco's Broadway blue print as television musical muse and martyr
- Must sing TV : pop rock sitcom cameo obscuras
- Umbilical musical chords : lineage, legacy, and mom and pop pedigree
- Die another day : Warren Zevon's desperado deteriorata.
