Narratives of gendered dissent in South Asian cinemas
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
New York :
Routledge
2012.
|
| Colección: | Routledge advances in film studies ;
12 |
| Materias: | |
| Acceso en línea: | https://recursos.uloyola.es/login?url=https://accedys.uloyola.es:8443/accedix0/sitios/ebook.php?id=137481 |
| Ver en Universidad Loyola - Universidad Loyola Granada: | https://colectivo.uloyola.es/Record/ELB137481 |
Solicitar por préstamo interbibliotecario:
Correo
Tabla de Contenidos:
- Introduction
- Class, caste and social exclusion. Subalterneity and resistance in Shyam Benegal's Nishaant and Manthan
- Radical politics and gender in Govind Nihalani's Hazaar chaurasi ki ma, Sudhir Mishra's Hazaaron khwaishein aisi, and Sanjiv Karambelkar's Lal salaam
- Nationalism, religion, and identity. The politics of Hindutva in Nandita Das' Firaaq, Rahul Dholakia's Parzania, and Rakesh Sharma's Final solution
- Gender, home, and displacement in Sabiha Sumar's Khamosh pani, Shoaib Mansoor's Khuda kei liye, Shyam Benegal's Mammo, and Meena Nanji's A view from a grain of sand
- Nationalism and ethnic struggle. Subjectivity, choice, and feminist agency in Santosh Sivan's The terrorist and Beate Arnestad's My daughter the terrorist
- Heteronormativity, "difference", and the construction of a subversive femininity. Gender, identity, and the diaspora in Gurinder Chadha's Bhaji on the beach and Sarah Gavron's Brick lane
- Conclusion.
