Multimodal film analysis how films mean
| Autor principal: | |
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| Otros Autores: | |
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
New York :
Routledge
2012.
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| Colección: | Routledge studies in multimodality ;
5. |
| Materias: | |
| Acceso en línea: | https://recursos.uloyola.es/login?url=https://accedys.uloyola.es:8443/accedix0/sitios/ebook.php?id=137433 |
| Ver en Universidad Loyola - Universidad Loyola Granada: | https://colectivo.uloyola.es/Record/ELB137433 |
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Correo
Tabla de Contenidos:
- Analysing film. Distinguishing the filmic contribution to meaning
- Examples of filmic "textual organisation"
- Redrawing boundaries
- Organisation of the book
- Semiotics and documents. Semiotics and its relations to film
- The nature of discourse semantics
- The film as cinematographic document
- A combined view: filmic documents for filmic discourse
- Constructing the semiotic mode of film. Semiotic multimodality
- The internal organisation of semiotic strata
- Composing and combining semiotic modes
- Materiality and "epistemological commitment"
- Christian Metz and the grande syntagmatique of the image track. The original model
- Two examples of analysis with the grande syntagmatique
- Revisions and rebuttals
- Foundations for analysis: filmic units. The basic units of film: preliminaries
- Audiovisual iconic representations
- Perception, perceptual realism and reliable measurement
- Multiplicity: from perception to discourse
- Filmic units revisited: discourse-motivated definitions
- The paradigmatic organisation of film. Beyond Metz: towards a grande paradigmatique
- Capturing discourse dependency structures in film
- The paradigmatic dimensions of projection, taxis and plane
- Two examples of paradigmatic analysis
- Summary and conclusions.
