A philosophy of the screenplay
| Main Author: | |
|---|---|
| Format: | eBook |
| Language: | Inglés |
| Published: |
New York :
Routledge
2013.
|
| Series: | Routledge studies in contemporary philosophy ;
49 |
| Subjects: | |
| Online Access: | https://recursos.uloyola.es/login?url=https://accedys.uloyola.es:8443/accedix0/sitios/ebook.php?id=133989 |
| See on Universidad Loyola - Universidad Loyola Granada: | https://colectivo.uloyola.es/Record/ELB133989 |
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Table of Contents:
- Introduction
- Definition. What is a screenplay? An intentional-historical formalist definition
- Defending the definition: intentionality, history, and artifact concepts
- Art status
- The historical narrative approach to identifying art: exegesis and defense
- From playwriting to screenwriting: the historical narrative
- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art?
- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays
- Objections and ontology: (II) is the screenplay literature?
- Towards an ontology of the screenplay
- Appreciation. The appreciation of the screenplay as literature.
