A philosophy of the screenplay
| Autor principal: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
New York :
Routledge
2013.
|
| Colección: | Routledge studies in contemporary philosophy ;
49 |
| Materias: | |
| Acceso en línea: | https://recursos.uloyola.es/login?url=https://accedys.uloyola.es:8443/accedix0/sitios/ebook.php?id=133989 |
| Ver en Universidad Loyola - Universidad Loyola Granada: | https://colectivo.uloyola.es/Record/ELB133989 |
Solicitar por préstamo interbibliotecario:
Correo
Tabla de Contenidos:
- Introduction
- Definition. What is a screenplay? An intentional-historical formalist definition
- Defending the definition: intentionality, history, and artifact concepts
- Art status
- The historical narrative approach to identifying art: exegesis and defense
- From playwriting to screenwriting: the historical narrative
- Ontology. Objections and ontology: (I) is the screenplay an autonomous work of art?
- Instructions and artworks: musical scores, theatrical scripts, architectural plans, and screenplays
- Objections and ontology: (II) is the screenplay literature?
- Towards an ontology of the screenplay
- Appreciation. The appreciation of the screenplay as literature.
