Local music scenes and globalization transnational platforms in Beirut
| Autor principal: | |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
New York :
Routledge
2013.
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| Colección: | Routledge studies in ethnomusicology ;
3 |
| Materias: | |
| Acceso en línea: | https://recursos.uloyola.es/login?url=https://accedys.uloyola.es:8443/accedix0/sitios/ebook.php?id=132346 |
| Ver en Universidad Loyola - Universidad Loyola Granada: | https://colectivo.uloyola.es/Record/ELB132346 |
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Correo
Tabla de Contenidos:
- Theory and methodology : music making in a digitalized world. Globalization and digitalization in music ; Theoretical frame ; Methodological approach
- Ethnography : musicians from Beirut born during the Lebanese civil war. Experimental music ; Metal music and classic rock ; Urban music ; Rap ; Transnational networks (human hubs) ; Music as a media product ; Musicians as actors
- Analysis : six key tracks from Beirut. Zeid Hamdan: Aranis (remixed) ; Garo Gdanian: Remains of a bloodbath ; Mazen Kerbaj : Blblb flblb, Zrrrt, Piiiiiiiiiiii ; Raed Yassin : Civil war tapes ; Charbel Haber : Track 5 : Rayess Bek : Schizophrenia
- History : sonic traces from the past and present. Ground setting : the urbanization and Europeanization of music in the Arab world ; Modern music from Cairo, old music from Aleppo ; European music and Christian hymns in Beirut (1926-1948) ; The creation of a Lebanese music (1948-1967) ; Nasserism versus tourism (1952-1967) ; The rise of dissident culture and alternative music (1968-1975) ; Bombs, protest, propaganda and rock music from the Lebanese civil war (1975-1990) ; Pan-Arabic pop and the 2006 war
- Meaning : reading Lebanese music making from different perspectives. Historical perspectives ; Socio-political perspectives ; Geo-political perspectives ; Psychological perspectives ; Aesthetical perspectives ; Euro-american perspectives.
