Resonances Against Fascism Modernist and Avant-Garde Sounds from Kurt Weill to Black Lives Matter

Makes a case for the power of music and sound in the face of fascistic forces, from modernism to the present.

Detalles Bibliográficos
Otros Autores: Chiesa, Laura, 1967- editor (editor)
Formato: Libro electrónico
Idioma:Inglés
Publicado: Albany, NY : State University of New York Press [2024]
Edición:First edition
Colección:SUNY series, humanities to the rescue.
Materias:
Ver en Biblioteca Universitat Ramon Llull:https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009859331506719
Tabla de Contenidos:
  • Intro
  • Contents
  • Acknowledgments
  • Introduction: Resonant Listening: Sound and Music to the Rescue. Laura Chiesa
  • Notes
  • References
  • Chapter 1: Political (Effort/Exhaustion). James Currie
  • 1
  • 2
  • Notes
  • References
  • Chapter 2: "[C]ounting Your Heads / As I'm Making the Beds": Piratesthetics, Weill-Brecht to Simone
  • Notes
  • References
  • Chapter 3: Sonic Ordeals: Music, Torture, and The New Orpheus 51 Peter Szendy
  • Notes
  • References
  • Chapter 4: What Makes Weill Weill?. Kim H. Kowalke
  • Weill's Last Year
  • Obituaries of "The Two Weills"
  • Weill's Itinerary
  • Making Weill Weill
  • Weill's Own Answer
  • Notes
  • References
  • Chapter 5: A Walk on the Weill Side: Musical Theater and Rock Music in the 1960s. William Solomon
  • Coda
  • Notes
  • References
  • Chapter 6: Marguerite Duras&amp
  • #x2019
  • s Musical Return of the Real. Fernanda Negrete
  • Notes
  • References
  • Chapter 7: Outside In: Chorus and Clearing in the Time of Pandemic and Protest. Julie Beth Napolin
  • Notes
  • References
  • Afterword: Sounding Silence, Sounding Thought. Krzysztof Ziarek
  • Notes
  • References
  • Contributors
  • Index.