Etudes on the Philosophy of Music
Drawing on the author's four decades of experience as a concert oboist, this open access book studies a number of foundational issues in the philosophy of music, such as musical meaning and expression, musical ontology and the existence of the musical work, the relation between music and langua...
| Autores principales: | , |
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| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Cham :
Springer Nature Switzerland
2024.
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| Edición: | 1st ed. 2024. |
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009859327206719 |
Tabla de Contenidos:
- 1. Introduction
- 2. The Origin of Music and Its Specific Characteristics (the Historical-Ontological Aspect)
- 3. Music – a Part of Spiritual Culture
- 4. The Fundamental Elements of Musical Expression
- 5. Some Principles of Baroque Aesthetics which are Important for Musical Expression
- 6. Voice and Sound
- 7. Music and Language
- 8. Music and Time
- 9. Musical Rhythm
- 10. Musical Articulation
- 11. Musical Agogics
- 12. Musical Phrasing
- 13. Sign and Expression
- 14. The Foreground and Background (Inner) Dimensions (Forms) of a Musical Work
- 15. The Text and the Work
- 16. Interpretation (the Main Form of the Manifestation of Music)
- 17. The Transcendental Quality of a Musical Work
- 17. The Concept of Creativity (and its Importance for Musical Expression)
- 18. Instrumentalising Creativity – Depriving Musical Expression of Meaning
- 19. The Logic of Music
- 20. A Philosophical Approach to Musical Expression: Necessity or Possibility
- 21. Significance and Meaning (the Given and the Goal)
- 23. Musical Thinking
- 24. Arnold chönberg on Musical Thought
- 25. Anton Webern on the “Saying” of Music
- 26. Ernest Ansermet on Music and its Performance
- 27. The Phenomenological Approach to Musical Expression. 28. Conclusion.
