The mediations of music critical approaches after Adorno
"Adorno believed that a circular relationship was established between immediacy and mediation. Should we now say that this model with its clear Hegelian influence is outdated? Or does it need some theoretical integration? This volume addresses these questions by covering the performance of musi...
| Otros Autores: | |
|---|---|
| Formato: | Libro electrónico |
| Idioma: | Inglés |
| Publicado: |
Abingdon, Oxon ; New York, NY :
Routledge
[2023]
|
| Colección: | Musical cultures of the twentieth century.
|
| Materias: | |
| Ver en Biblioteca Universitat Ramon Llull: | https://discovery.url.edu/permalink/34CSUC_URL/1im36ta/alma991009851039806719 |
Tabla de Contenidos:
- Introduction / Gianmario Borio
- PART I. The Dynamics of Musical Mediation. 'Music is the Logic of Judgmentless Synthesis' : Adorno on Music, Language, and Mediation / Dietrich Mersch ; Beyond Mediation / Esteban Buch ; Radio Voices : Progressive Broadcasting between Aesthetics and Mass Pedagogy / Michela Garda
- PART II. Notation and Performance. 'Jedes Notenzeichen ... ein Schlag' : Rethinking Adorno's critique of notation / Andreas Meyer ; Towards a Practice of Musical Performance Creativity / Daniel Leech-Wilkinson ; A 'Radical Mediation' Approach to the Text/Performance Relation in Music / Alessandro Cecchi
- PART III. Music on Screen. Instrumentalising Music for the Film : Pianos, Harps, and Fiddles in Backbreaking Moves of Social Labour / Lydia Goehr ; Composing for the Films in the Age of Digital Media / James Buhler
- PART IV. Recorded Sound in Changing Environments. Adorno and Jazz : A Critical Revision from an Audiotactile Perspective / Vincenzo Caporaletti ; 'To become transformed into an insect, man needs that energy which might possibly achieve his transformation into a man' : Adorno, the domination of nature and the becoming-insect of music / Makis Solomos.
